Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of inkjet print.

Church Lot, Lawndale Neighborhood, from the series, “Revealing Chicago” (2003-04), May 16, 2004

Terry Evans

A work made of conté crayon on white wove card.

Woodstock, East Vermont, 1975

Ivan Albright

A work made of watercolor and graphite on off-white wove paper.

Flowers (Cyclamen), 1920

Charles Demuth

Cabeza (or Youth)

Cabeza (or Youth), 1946

Charles White

A work made of oak, laminated wood, leather, jute webbing, and horsehair.

Side Chair, 1910

George Grant Elmslie

A work made of pencil, pen and gouache on paper, collaged gelatin silver print.

Proposal for Chicago Warehouse (North American Cold Storage as viewed from Lake and Wacker Streets), 1977

Richard John Haas

A work made of color screenprint on coated ivory card.

Roundabout, from Screen Prints 1970, 1970

Frank Gaard

A work made of zip-a-tone, colored pencil, film collage, and sepia print on paper.

River City I, Chicago, Illinois, Clark Parkway Level Plan, c. 1974

Bertrand Goldberg

Painting of a cliff overlooking the sea. Two figures in long dresses, one with a parasol, stand on the cliff beneath blue sky.

Cliff Walk at Pourville, 1882

Claude Monet

A work made of graphite on linen.

860–880 North Lake Shore Drive, Stair Details (Building 1), 2/23/1950

Ludwig Mies van der Rohe

A work made of gelatin silver print.

Detroit, 1943

Harry Callahan

A work made of screenprint on gray wove paper.

Most Unstationary, from Screen Prints 1970, 1970

Tom Mapp

A work made of leather and stone; joined and oversewn with cotton in needle lace stitches; cotton pom pom.

Study Sample, 1973-76

Claire Zeisler

A work made of lithograph in brown on white wove paper.

Wanted Poster Series #12, 1970

Charles White

A work made of watercolor, with graphite, on ivory wove paper, laid down on japanese paper.

Lioness and Cubs, c. 1832

Antoine Louis Barye

A work made of cotton, cotton bouclé, wool, rayon and acetate-film-laminated-metal foil, bands of 2:2 twill weave, 2:2 weft chevron weave, and plain weave.

Panel (Upholstery Fabric), c. 1948

Else Regensteiner

A work made of gold-washed silver and brass, with pearl and emerald.

Stickpin, 1900–17

Jessie M. Preston

A work made of pencil and ink on tracing paper.

Raymond Hilliard Center: Typical Floor Plan, 1963

Bertrand Goldberg Associates

A work made of etching in black on cream wove paper.

Missouri C, 1972

Charles White

A work made of metalpoint on cream wove paper prepared with a cream ground.

The Old and the New Georgia, 1965

Ivan Albright

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