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A work made of oil on canvas.

Head of a Soldier, 1917

Ferdinand Hodler

A work made of gelatin silver print.

Hugh Edwards, Curator of Photography, The Chicago Art Institute, 1964

Dave Heath

Ink sketch of curvy building from birddz eye view.

River City, Aerial Perspective, 1979

Bertrand Goldberg

A work made of textile school manuscript with 29 loom charts, 76 sample swatches showing finished designs from charts, and 32 graphed designs. 220 pages; 5 loose graph paper sheets with 6 designs for weaving, matted separately.

Manuscrit de Théorie No. 3, 19th century

A work made of lithograph on paper.

Horse Show, International Livestock Exposition, Chicago, n.d.

Francis Chapin

A work made of cast bronze and concrete.

Vigil, 1986

Richard Rezac

A work made of cotton, twill weave with supplementary pile wefts forming cut, solid pile (velveteen); block printed.

Panel (Formerly a Furnishing Textile), c. 1895/1900

Sidney Mawson

A work made of maple.

Bowl, 1933–53

James Prestini

A work made of watercolor and ink over graphite on paper with chinese white added.

Montgomery Ward Memorial Building, Chicago, Illinois, Perspective, c. 1924/25

James Gamble Rogers

Painted portrait of woman in green dress and cloud backdrop.

Mrs. Daniel Hubbard (Mary Greene), c. 1764

John Singleton Copley

A work made of cast iron with bower barff finish.

Marquette Building: Elevator Grille Base, 1893/95

Holabird and Roche

A work made of gelatin silver print.

Union Station, Chicago, Illinois, 1966

Algimantas Kezys

A work made of chromogenic print.

Woman in Red, Yom Kippur Singles Dance, 1993

Jay Wolke

An aerial drawing of a city plan depicting streets, railway lines, piers, and parks, "Yacht Harbor" written on a body of water at bottom. Transit pathways form a dense grid intersected by diagonal lines, many of which coverage near the center.

Plate 110 from The Plan of Chicago, 1909: Chicago. Plan of the Complete System of Street Circulation; Railway Stations; Parks, Boulevard Circuits and Radial Arteries; Public Recreation Piers, Yacht Harbor, and Pleasure-Boat Piers; Treatment of Grant Park; the Main Axis and the Civic Center, Presenting the City as a Complete Organism in which All its Functions are Related One to Another in such a Manner that it will Become a Unit, 1909

Daniel Hudson Burnham

A work made of ink, graphite, and colored pencil on paper.

United Airlines Terminal: Interior Perspective View of Ticketing Counters, 1985

Murphy/Jahn Architects

A work made of gelatin silver print.

Chicago, 1971

Miles Barth

A work made of transparent watercolor with touches of opaque watercolor, rewetting, blotting and scraping, over traces of graphite, on thick, moderately textured, ivory wove paper (top edge trimmed).

Adirondacks Guide, 1892

Winslow Homer

A work made of transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.

The Rapids, Hudson River, Adirondacks, 1894

Winslow Homer

A work made of woodcut on ivory japanese paper.

Work Relief (Chicago Snowstorm), c. 1935

Charles Turzak

A work made of gelatin silver print.

Buddy Guy Calls the Youngblood's Bluff, Checkerboard Lounge, Chicago, July 19, 1982

Marc PoKempner

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