Curator

  • Art Institute Chicago
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A work made of carved linoleum and wood.

Printing Blocks for Trees, 1954

Eleanor Kluck

A work made of graphite, watercolor, and gouache on illustration board.

Empire Room, Palmer House Hotel, Chicago, Illinois, Interior Perspective, 1925

Holabird and Roche

A work made of rayon and modacrylic, plain weave; screen printed.

Antelopers (Furnishing Fabric), 1965

Ben Rose

A work made of bronze.

Jeff, 1932

Maeble Perry Edwards

A work made of black graphite pencil on tablet paper.

Illinois Institute of Technology Chapel, Chicago, Illinois, Interior Perspective, 1949

Ludwig Mies van der Rohe

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

A View of Michigan Avenue from Randolph Street in the Year 1865, published March 1926

Raoul Varin

A work.

Marina City: Theater East Elevation, n.d.

Bertrand Goldberg

A work made of transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.

The Rapids, Hudson River, Adirondacks, 1894

Winslow Homer

A work made of wool, silk, cotton, and polyester, plain weave double-cloth.

Glowing City, 1980s

Else Regensteiner

A work made of transparent watercolor with touches of opaque watercolor, rewetting, blotting and scraping, over traces of graphite, on thick, moderately textured, ivory wove paper (top edge trimmed).

Adirondacks Guide, 1892

Winslow Homer

An aerial drawing of a city plan depicting streets, railway lines, piers, and parks, "Yacht Harbor" written on a body of water at bottom. Transit pathways form a dense grid intersected by diagonal lines, many of which coverage near the center.

Plate 110 from The Plan of Chicago, 1909: Chicago. Plan of the Complete System of Street Circulation; Railway Stations; Parks, Boulevard Circuits and Radial Arteries; Public Recreation Piers, Yacht Harbor, and Pleasure-Boat Piers; Treatment of Grant Park; the Main Axis and the Civic Center, Presenting the City as a Complete Organism in which All its Functions are Related One to Another in such a Manner that it will Become a Unit, 1909

Daniel Hudson Burnham

A work made of watercolor and ink over graphite on paper with chinese white added.

Montgomery Ward Memorial Building, Chicago, Illinois, Perspective, c. 1924/25

James Gamble Rogers

A work made of maple.

Bowl, 1933–53

James Prestini

A work made of lithograph on paper.

Horse Show, International Livestock Exposition, Chicago, n.d.

Francis Chapin

A work made of textile school manuscript with 29 loom charts, 76 sample swatches showing finished designs from charts, and 32 graphed designs. 220 pages; 5 loose graph paper sheets with 6 designs for weaving, matted separately.

Manuscrit de Théorie No. 3, 19th century

A work made of cast iron with bower barff finish.

Marquette Building: Elevator Grille Base, 1893/95

Holabird and Roche

A work made of oil on canvas.

Beggar with Oysters (Philosopher), 1865–67

Édouard Manet

Impressionist sea landscape, tan houses, blue ocean, distant mountains.

The Bay of Marseille, Seen from L'Estaque, c. 1885

Paul Cezanne

A work made of ink, graphite, and colored pencil on paper.

United Airlines Terminal: Interior Perspective View of Ticketing Counters, 1985

Murphy/Jahn Architects

A work made of gelatin silver print.

Buddy Guy Calls the Youngblood's Bluff, Checkerboard Lounge, Chicago, July 19, 1982

Marc PoKempner

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