Curator

  • Art Institute Chicago
  • Harvard art museum
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Opulently dressed light-skinned man and woman drink at a small table. A mirror behind them reflects a crowd. Her blue dress and dark hat dominate.

At Mouquin's, 1905

William James Glackens

A work made of gelatin silver print.

Hugh Edwards, Curator of Photography, The Chicago Art Institute, 1964

Dave Heath

A work made of rayon, wool, cellulose, and acetate-film-laminated-metal-foil-wrapped cotton, plain weave; warp fringe.

Furnishing Fabric, 1946

Else Regensteiner

A work made of gelatin silver print.

Union Station, Chicago, Illinois, 1966

Algimantas Kezys

A work made of black chalk on cream wove paper (discolored to brown), laid down on cream japanese paper.

Study of a Seated Man, 1905

Pablo Picasso

A work made of etching in black on cream wove paper.

Haunt of the Heron, n.d.

Allen Erskine Philbrick

A work made of graphite on linen.

860–880 North Lake Shore Drive, Sections through Sub-Structure, 11/9/1949

Ludwig Mies van der Rohe

A work made of oil on canvas.

Head of a Soldier, 1917

Ferdinand Hodler

A work made of carved linoleum and wood.

Printing Blocks for Trees, 1954

Eleanor Kluck

A work made of graphite, watercolor, and gouache on illustration board.

Empire Room, Palmer House Hotel, Chicago, Illinois, Interior Perspective, 1925

Holabird and Roche

A work made of rayon and modacrylic, plain weave; screen printed.

Antelopers (Furnishing Fabric), 1965

Ben Rose

A work made of gelatin silver print.

Chicago, 1971

Miles Barth

A work made of woodcut on ivory japanese paper.

Work Relief (Chicago Snowstorm), c. 1935

Charles Turzak

A work made of bronze.

Jeff, 1932

Maeble Perry Edwards

A work made of .1: leather (suede); drawing in ink; joined to suede-covered stone and wool felt with cotton in needle lace stitches; appliquéd with suede with cotton in buttonhole stitches .2 and .3: leather (suede); stone attached and oversewn with cotton in buttonhole simple looping stitches .4: stone covered with leather (suede) and embroidered with cotton in buttonhole and simple looping stitches.

Four Study Samples, 1973-76

Claire Zeisler

A work made of black graphite pencil on tablet paper.

Illinois Institute of Technology Chapel, Chicago, Illinois, Interior Perspective, 1949

Ludwig Mies van der Rohe

A work made of transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.

The Rapids, Hudson River, Adirondacks, 1894

Winslow Homer

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

A View of Michigan Avenue from Randolph Street in the Year 1865, 1926

Raoul Varin

A work made of graphite on vellum.

Marina City Theater, Chicago, Illinois, East Elevation, 1965

Bertrand Goldberg

A work made of transparent watercolor with touches of opaque watercolor, rewetting, blotting and scraping, over traces of graphite, on thick, moderately textured, ivory wove paper (top edge trimmed).

Adirondacks Guide, 1892

Winslow Homer

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