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A work made of graphite and colored pencil on paper.

House in Chicago, Design Drawings, c. 1992–1998

Tadao Ando

A work made of rayon, wool, cellulose, and acetate-film-laminated-metal-foil-wrapped cotton, plain weave; warp fringe.

Furnishing Fabric, 1946

Else Regensteiner

A work made of internal dye diffusion transfer print.

Dichotomy, Chicago, 1981

Helen Harvey Mills

A work made of black chalk on cream wove paper (discolored to brown), laid down on cream japanese paper.

Study of a Seated Man, 1905

Pablo Picasso

A work made of graphite on linen.

860–880 North Lake Shore Drive, Sections through Sub-Structure, 11/9/1949

Ludwig Mies van der Rohe

A work made of carved linoleum and wood.

Printing Blocks for Trees, 1954

Eleanor Kluck

A work made of graphite, watercolor, and gouache on illustration board.

Empire Room, Palmer House Hotel, Chicago, Illinois, Interior Perspective, 1925

Holabird and Roche

A work made of rayon and modacrylic, plain weave; screen printed.

Antelopers (Furnishing Fabric), 1965

Ben Rose

A work made of gelatin silver print.

Hugh Edwards, Curator of Photography, The Chicago Art Institute, 1964

Dave Heath

A work made of oil on canvas.

Head of a Soldier, 1917

Ferdinand Hodler

A work made of bronze.

Jeff, 1932

Maeble Perry Edwards

A work made of .1: leather (suede); drawing in ink; joined to suede-covered stone and wool felt with cotton needle lace; appliquéd with suede with cotton in buttonhole stitches .2 and .3: leather (suede); stone attached and oversewn with cotton in buttonhole simple looping .4: stone covered with leather (suede) and embroidered with cotton in buttonhole and simple looping.

Four Study Samples, 1973-76

Claire Zeisler

A work made of black graphite pencil on tablet paper.

Illinois Institute of Technology Chapel, Chicago, Illinois, Interior Perspective, 1949

Ludwig Mies van der Rohe

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

A View of Michigan Avenue from Randolph Street in the Year 1865, 1926

Raoul Varin

A work made of graphite on vellum.

Marina City Theater, Chicago, Illinois, East Elevation, 1965

Bertrand Goldberg

A work made of wool, silk, cotton, and polyester, plain weave double-cloth.

Glowing City, 1980s

Else Regensteiner

A work made of gelatin silver print.

Union Station, Chicago, Illinois, 1966

Algimantas Kezys

A work made of transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.

The Rapids, Hudson River, Adirondacks, 1894

Winslow Homer

A work made of transparent watercolor with touches of opaque watercolor, rewetting, blotting and scraping, over traces of graphite, on thick, moderately textured, ivory wove paper (top edge trimmed).

Adirondacks Guide, 1892

Winslow Homer

An aerial drawing of a city plan depicting streets, railway lines, piers, and parks, "Yacht Harbor" written on a body of water at bottom. Transit pathways form a dense grid intersected by diagonal lines, many of which coverage near the center.

Plate 110 from The Plan of Chicago, 1909: Chicago. Plan of the Complete System of Street Circulation; Railway Stations; Parks, Boulevard Circuits and Radial Arteries; Public Recreation Piers, Yacht Harbor, and Pleasure-Boat Piers; Treatment of Grant Park; the Main Axis and the Civic Center, Presenting the City as a Complete Organism in which All its Functions are Related One to Another in such a Manner that it will Become a Unit, 1909

Daniel Hudson Burnham

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