Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil and sand on four joined canvases, with artist's painted frame.

Corpse and Mirror II, 1974/75

Jasper Johns

A work made of terracotta, red-figure.

Kylix (Drinking Cup), about 460 BCE

Penthesilea Painter

A work made of chromogenic print.

Shanghai, 2000

Andreas Gursky

A work made of fluorescent paint and silkscreen ink on linen.

Flowers, 1964

Andy Warhol

A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

A graphic, grotesque painting of a balding, bug-eyed man with white hair and decaying flesh and open boils in dominant shades of gray and magenta, his clothing tattered and torn. Behind him, a crumbling home is suggested through objects and voids of space rendered in swirls of prismatic colors like those reflected by an oil slick: dark purples, greens, blues.

Picture of Dorian Gray, 1943–44

Ivan Albright

A photo of dark room shows one large projection on the wall to the left and on the wall to the right two pedestals with two monitors stacked on top of both. Each screen shows a different view of a red-wigged, red-nosed clown in a striped outfit.

Clown Torture, 1987

Bruce Nauman

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of oil on cardboard.

Houses at Murnau, 1909

Vasily Kandinsky

Vibrantly colored landscape painting of houses built on a steep hill surrounded by thin, bent trees and a narrow trail or road. Bright orange, red, pink, green, and yellow illuminate the scene.

Landscape at L'Estaque, 1906

Georges Braque

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Rectangular painting of white, framed by a thin, yellow outline and a thicker, black outline.

Brilliant Yellow #9, 1964/65

Jo Baer

A work made of black crayon on off-white wove card.

Group of Trees, n.d.

Paul Dougherty

A work made of oil on board.

Girl with Cat, 1937

Balthus

A work made of wood, kaolin, and pigment.

Face Mask, Late 19th-early 20th century

Bwa

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

Painting of four figures in blue, red, brown dresses playing croquet.

Croquet Scene, 1866

Winslow Homer

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

Round, red-brown bowl with small cracks its black interior. The outer surface is striated with tight horizontal lines and a diagonal pattern.

Bowl with Textured Surface Decoration in Basketry-Like Pattern, 900–1000

Ancestral Pueblo (Anasazi)

Small, dark colored ceramic vessel with a handle and spout at the top. The front of the vessel looks like a face, with two round forms making the eyes, a long, thin form a nose, and an oval form the mouth. Two ear-like shapes protude from the side of the vessel.

Face Jug, c. 1860

Artist unknown

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