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Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

A work made of oil on canvas.

Meetinghouse Hill, Roxbury, Massachusetts, 1799

John Ritto Penniman

A work made of oil on canvas.

Drive in the Knife, May 1943

Matta

A work made of watercolor with pen and black ink, over traces of graphite, on off-white illustration board.

School of Contemporary Art Life Class, 1956/57

Richard Aberle Florsheim

A work made of acrylic, silkscreen ink, and diamond dust on linen.

Diamond Dust Joseph Beuys, 1980

Andy Warhol

A work made of chromogenic print.

Shanghai, 2000

Andreas Gursky

A work made of lithograph in black on ivory wove paper.

How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823

Hippolyte Bellangé

Green glazed vessel decorated with floral adornments, tapered and flared at the neck, with two small cylindrical handles.

Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

A work made of pen lithograph on tan wove paper.

Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of black crayon on off-white wove card.

Group of Trees, n.d.

Paul Dougherty

A work made of miniature room, mixed media.

E-27: French Library of the Modern Period, 1930s, c. 1937

Narcissa Niblack Thorne

A work made of wood engraving on cream japanese paper.

The Restaurant of the Great Art Exhibition: A symbiotic love for the arts and the cutlet, 1868, printed 1920

Etienne Carjat

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

A work made of color screenprint on board.

Art Classes for Children, 1935/43

R. E. K.

A wooden carving of a male figure. The figure has a distinctive face, with oval-shaped eyes and mouth, and wears a cap on his head. His body is covered in various shells, bones, feathers, fabric, and metal nails, and he holds a mirror-sealed resin packet over his stomach.

Male Figure (Nkisi Nkondi), Probably early to mid-19th century

Vili

A light-brown, kettlebell-shaped vessel with a top spout features a red line drawing of a seated warrior facing right, wearing a stylized patterned dress and holding a weapon.

Stirrup Spout Vessel with Fineline Enthroned Warrior Motif, 100 BCE–500 CE

Moche

A work made of pen lithograph on tan wove paper.

Plate Two, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Painting of four figures in blue, red, brown dresses playing croquet.

Croquet Scene, 1866

Winslow Homer

Conical-shaped bowl with sides angled outward, a smooth black interior, and a bumpy exterior that is black along the rim and graduates to a reddish-brown color.

Bowl with Textured Surface Decoration, 900–1000

Ancestral Pueblo (Anasazi)

A work made of etching and aquatint on ivory laid paper.

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

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