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A wooden carving of a male figure. The figure has a distinctive face, with oval-shaped eyes and mouth, and wears a cap on his head. His body is covered in various shells, bones, feathers, fabric, and metal nails, and he holds a mirror-sealed resin packet over his stomach.

Male Figure (Nkisi Nkondi), Probably early to mid-19th century

Vili

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

A work made of acrylic on canvas, with two newspapers.

Oct. 31, 1978 (Today Series, "Tuesday"), 1978

On Kawara

Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.

Fisherman's Cottage, 1906

Harald Oscar Sohlberg

A work made of chromogenic print.

Shanghai, 2000

Andreas Gursky

A work made of stoneware with celadon glaze and underglaze incised decoration.

Duck-Shaped Ewer with Daoist Priest, Goryeo dynasty (918–1392), 12th century

A work made of lithograph in black on ivory wove paper.

How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823

Hippolyte Bellangé

A work made of watercolor with pen and black ink, over traces of graphite, on off-white illustration board.

School of Contemporary Art Life Class, 1956/57

Richard Aberle Florsheim

Terracotta vessel with a narrow neck and small, curved handles, areas of black indicating lost portions of a battle scene.

Amphora (Storage Jar), 340-330 BCE

Ixion Painter

A work made of oil on canvas.

Volunteer, 1963/64

James Rosenquist

A ceramic vessel with a long handle, its bone-white surface decorated with black geometric designs.

Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs, 1000–1300

Ancestral Pueblo (Anasazi)

Two large dark brown wood horned animal headdresses.

Pair of Headdresses (Tyi Wara Kunw), Mid–19th to early 20th century

Bamana

A work made of pen lithograph on tan wove paper.

Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of black crayon on off-white wove card.

Group of Trees, n.d.

Paul Dougherty

A work made of terracotta.

Equestrian and Four Figures, Probably late 12th-15th century

Bankoni

A work made of wood and pigment.

Female Headdress (Nimba, D'mba, or Yamban), Mid 19th-early 20th century

Baga

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

A work made of bone, cow horn, wood, iron, and silk velvet.

Casket, c. 1390-c. 1410

Workshop of the Embriachi Family

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