A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Duck-Shaped Ewer with Daoist Priest, Goryeo dynasty (918–1392), 12th century
Plate One, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
Amphora (Storage Jar), 340-330 BCE
Ixion Painter
Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs, 1000–1300
Ancestral Pueblo (Anasazi)
Volunteer, 1963/64
James Rosenquist
Pair of Headdresses (Tyi Wara Kunw), Mid–19th to early 20th century
Bamana
The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539
Lucas Cranach, II
The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Equestrian and Four Figures, Probably late 12th-15th century
Bankoni
Female Headdress (Nimba, D'mba, or Yamban), Mid 19th-early 20th century
Baga
Twin Figures (Ere Ibeji), Early/mid–20th century
Yoruba
Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
A37: California Hallway, c. 1940, c. 1940
Narcissa Niblack Thorne
Casket, c. 1390-c. 1410
Workshop of the Embriachi Family
Farm near Duivendrecht, c. 1916
Piet Mondrian
Inlay Depicting the Face of a King, Ptolemaic Period (332–30 BCE)
Ancient Egyptian
Untitled XI, 1975
Willem de Kooning
Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999