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A work made of chromogenic print.

Shanghai, 2000

Andreas Gursky

A work made of pen lithograph on tan wove paper.

Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of oil on canvas.

Meetinghouse Hill, Roxbury, Massachusetts, 1799

John Ritto Penniman

A work made of oil on canvas.

Drive in the Knife, May 1943

Matta

A work made of wood engraving on cream japanese paper.

The Restaurant of the Great Art Exhibition: A symbiotic love for the arts and the cutlet, 1868, printed 1920

Etienne Carjat

A work made of color screenprint on board.

Art Classes for Children, 1935/43

R. E. K.

A work made of acrylic, silkscreen ink, and diamond dust on linen.

Diamond Dust Joseph Beuys, 1980

Andy Warhol

A work made of pen lithograph on tan wove paper.

Plate Two, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Green glazed vessel decorated with floral adornments, tapered and flared at the neck, with two small cylindrical handles.

Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

A work made of etching and aquatint on ivory laid paper.

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A wooden carving of a male figure. The figure has a distinctive face, with oval-shaped eyes and mouth, and wears a cap on his head. His body is covered in various shells, bones, feathers, fabric, and metal nails, and he holds a mirror-sealed resin packet over his stomach.

Male Figure (Nkisi Nkondi), Probably early to mid-19th century

Vili

A work made of miniature room, mixed media.

E-27: French Library of the Modern Period, 1930s, c. 1937

Narcissa Niblack Thorne

A work made of pen lithograph on tan wove paper.

Plate Seven, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of book with color off-set lithographs on white wove paper, with yellow wove paper cover.

The Hairy Who Sideshow, 1967

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A work made of black crayon on off-white wove card.

Group of Trees, n.d.

Paul Dougherty

A work made of pen lithograph on tan wove paper.

Plate Four, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of acrylic on canvas, with two newspapers.

Oct. 31, 1978 (Today Series, "Tuesday"), 1978

On Kawara

Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.

Fisherman's Cottage, 1906

Harald Oscar Sohlberg

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

Terracotta vessel with a narrow neck and small, curved handles, areas of black indicating lost portions of a battle scene.

Amphora (Storage Jar), 340-330 BCE

Ixion Painter

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