Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Color print of a Japanese landscape with a person on horseback in the foreground, flanked by several trees and low green hills. Beyond this figure, others on ferries cross a winding river in rowboats toward tent-like structures in the distance. Vertical text in Japanese peppers the top half of the work, with text in a vertical red banner at upper right.

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of wood and pigment.

Mother-and-Child Figure (Bwanga bwa Chibola), Mid–late 19th century

Luluwa

A work made of ceramic and pigment.

Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs, 950–1400

Ancestral Pueblo (Anasazi)

Against red background four men stand around another bound naked to a chair, his head covered.

Interrogation II, 1981

Leon Golub

Narrow, vertical print of a Japanese woman in partial view, wearing a billowing pink-orange kimono and holding a yellow umbrella.

Beauty Under an Umbrella in the Snow, c. 1770

Suzuki Harunobu

A work made of color lithograph on white wove paper.

It's Not Art, That Counts Now, from Preview Suite, 1988

Allen Rawson Ruppersberg

A work made of brass.

Head (Uhunmwun Elao), 18th/early 19th century

Edo

A work made of offset lithograph in black on ivory wove paper.

Relax Senator Helms, The Art World Is Your Kind of Place!, 1989

Guerrilla Girls

A wide-mouthed drinking cup glazed in black with two handles extending from opposite sides.

Skyphos (Drinking Cup), 410-400 BCE

Ancient Greek

A work made of oil on canvas.

Meetinghouse Hill, Roxbury, Massachusetts, 1799

John Ritto Penniman

A work made of oil on canvas.

Drive in the Knife, May 1943

Matta

A work made of acrylic, silkscreen ink, and diamond dust on linen.

Diamond Dust Joseph Beuys, 1980

Andy Warhol

A work made of pen lithograph on tan wove paper.

Title Page, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of lithograph in black on buff wove paper.

The Tailor, from Arts et Métiers, 1838

Bernard Gaillot

Color photograph of a cemetery, a large open grave in the foreground with a rumpled tarp and pile of gravel nearby. The grave is filled with water and marine life, including several starfish.

The Flooded Grave, 1998–2000

Jeff Wall

Green glazed vessel decorated with floral adornments, tapered and flared at the neck, with two small cylindrical handles.

Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

A work made of etching, burnished aquatint and drypoint on ivory laid paper.

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of pen lithograph on tan wove paper.

Plate One, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of miniature room, mixed media.

E-27: French Library of the Modern Period, 1930s, c. 1937

Narcissa Niblack Thorne

A wooden carving of a male figure. The figure has a distinctive face, with oval-shaped eyes and mouth, and wears a cap on his head. His body is covered in various shells, bones, feathers, fabric, and metal nails, and he holds a mirror-sealed resin packet over his stomach.

Male Figure (Nkisi Nkondi), Probably early to mid-19th century

Vili

<<<13141516 >>>