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A work made of oil on panel.

J. Ellis Bonham, March 5, 1825

William Bonnell

A work made of oak and glazed earthenware.

Fireplace Surround, 1901

George Washington Maher

Print in color of two sailboats on blue water carrying cargo. One boat has five humans in it, two wearing red with wide hats, three in blue. A black mountain range, sparse with trees, rises in the background. Japanese characters appear in black ink in the upper portion of the image, with additional text on a red vertical banner in the the upper-right corner and in red at lower left.

Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of silver gilt and rock crystal.

Circular Reliquary with Domed Roof and Relics of Saints Godehard and Bernward, 1375/1400

A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

A work made of wood, pigment, and kaolin.

Headdress for Gelede (Igi), Early/mid–20th century

Yoruba

A work made of oil on linen.

Garden Airplane-Trap, 1935

Max Ernst

Shallow terracotta pan-like cup with black glaze, incised floral decoration at bottom, and handles on either side.

Stemless Kylix (Drinking Cup), 460-450 BCE

Ancient Greek

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Three adult figures walk on a boardwalk over reed-filled water, one carrying a baby, wearing clothes in red, blue, and gray tones, with shadowy trees and a tent structure in the background. Japanese characters in red and black ink appear at upper left and bottom right.

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38

Utagawa Hiroshige

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

A work made of book with color off-set lithographs on white wove paper, with yellow wove paper cover.

The Hairy Who Sideshow, 1967

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A three-part panel featuring a variety of scenes, vertically stacked and richly painted. The central panel features the Virgin Mary and and Child flanked by archangels Gabriel and Michael, twelve disciples below them in grid formation.

Triptych Icon, Late 17th century

A work made of tin-glazed earthenware.

Vase Depicting a Phoenixlike Bird, 1700–50

Talavera Poblana

A work made of acrylic on canvas.

Screamin' Jay Hawkins, 1968

Karl Wirsum

A work made of watercolor with pen and black ink, over traces of graphite, on off-white illustration board.

School of Contemporary Art Life Class, 1956/57

Richard Aberle Florsheim

A work made of lithograph in black on ivory wove paper.

How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823

Hippolyte Bellangé

A work made of oil, enamel, metallic paint, fabric, synthetic polymer, tar, paper, thread, and gold leaf on fabric.

White (Bianco), 1952

Alberto Burri

A work made of sheet steel, brass, wire, and paint.

Streetcar, 1951

Alexander Calder

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