Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of cor-ten and stainless steel.

Clothespin, 1975

Claes Oldenburg

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

A work made of portfolio of prints (25) of various media.

Photographs from Class of '74, c. 1974

School of The Art Institute of Chicago, Graduate Photography Class of 1974

Painting of a prominent orange-red circle imposed on the center of a canvas depicting a grove of trees behind a stone wall and an orange-red sky in gradient.

The Banquet, 1958

René Magritte

Color print of travelers of foot and horseback following a grassy route flanked by Japanese bungalows and groves of trees.

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of lithograph in black on ivory wove paper.

How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823

Hippolyte Bellangé

A work made of etching and aquatint on ivory laid paper.

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of watercolor with pen and black ink, over traces of graphite, on off-white illustration board.

School of Contemporary Art Life Class, 1956/57

Richard Aberle Florsheim

A work made of pen lithograph on tan wove paper.

Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Black glazed terracotta vessel with a short, curved handle on one side. Visible cracks indicate fragmentary repair.

Mug, about 460 BCE

Ancient Greek

A work made of wood engraving on cream japanese paper.

The Restaurant of the Great Art Exhibition: A symbiotic love for the arts and the cutlet, 1868, printed 1920

Etienne Carjat

A work made of pen lithograph on tan wove paper.

Plate Two, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of black crayon on off-white wove card.

Group of Trees, n.d.

Paul Dougherty

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

A work made of pen lithograph on tan wove paper.

Plate Seven, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of the reflecting pool, 1977-79, 6:58 min.; moonblood, 1977-79, 12:48 min.; silent life, 1979, 13:14 min.; ancient of days, 1979-81, 12:21 min.; vegetable memory, 1978-80, 15:13 min. color video, sound (projection); 62 min. loop.

The Reflecting Pool: Collected Works, 1977–80

Bill Viola

A work made of color screenprint on board.

Art Classes for Children, 1935/43

R. E. K.

In a stark desert landscape, an older man sits in the foreground, illuminated, with a newspaper. Arranged evenly across the land behind him, smaller than perspective would indicate, are a faded child holding a hula hoop, a man holding a melting piano, a standing woman, and a figure near the horizon.

A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano, 1936

Salvador Dalí

A work made of mahogany and white pine, with mahogany, birch, and maple veneers.

Cylinder Desk and Bookcase, 1800–10

Artist unknown

A work made of wood and paint.

Parrot, 1870–90

Wilhelm Schimmel

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