Title Page, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
Volunteer, 1963/64
James Rosenquist
The Tailor, from Arts et Métiers, 1838
Bernard Gaillot
Bird Shaped Ewer with Daoist Priest, Goryeo dynasty (918–1392), 12th century
Bowl with Bold Black-on-White Diamond and Zizgag Motifs, 950–1400
Ancestral Pueblo (Anasazi)
Plate One, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Casket, c. 1390-c. 1410
Workshop of the Embriachi Family
Group of Trees, n.d.
Paul Dougherty
The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539
Lucas Cranach, II
Pair of Headdresses (Tyi Wara Kunw), Mid–19th to early 20th century
Bamana
Equestrian and Four Figures, Probably late 12th-15th century
Bankoni
The Solitude of the Soul, modeled in plaster 1901; sculpted in marble 1914
Lorado Taft
Croquet Scene, 1866
Winslow Homer
Female Headdress (Nimba, D'mba, or Yamban), Mid 19th-early 20th century
Baga
The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Untitled XI, 1975
Willem de Kooning
Twin Figures (Ere Ibeji), Early/mid–20th century
Yoruba
Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816