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A work made of lithograph in black on ivory wove paper.

How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823

Hippolyte Bellangé

A work made of watercolor with pen and black ink, over traces of graphite, on off-white illustration board.

School of Contemporary Art Life Class, 1956/57

Richard Aberle Florsheim

A work made of miniature room, mixed media.

E-27: French Library of the Modern Period, 1930s, c. 1937

Narcissa Niblack Thorne

A wooden carving of a male figure. The figure has a distinctive face, with oval-shaped eyes and mouth, and wears a cap on his head. His body is covered in various shells, bones, feathers, fabric, and metal nails, and he holds a mirror-sealed resin packet over his stomach.

Male Figure (Nkisi Nkondi), Probably early to mid-19th century

Vili

A work made of pen lithograph on tan wove paper.

Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of wood engraving on cream japanese paper.

The Restaurant of the Great Art Exhibition: A symbiotic love for the arts and the cutlet, 1868, printed 1920

Etienne Carjat

A work made of black crayon on off-white wove card.

Group of Trees, n.d.

Paul Dougherty

A work made of etching and aquatint on ivory laid paper.

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of acrylic on canvas, with two newspapers.

Oct. 31, 1978 (Today Series, "Tuesday"), 1978

On Kawara

A work made of color screenprint on board.

Art Classes for Children, 1935/43

R. E. K.

Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.

Fisherman's Cottage, 1906

Harald Oscar Sohlberg

A work made of pen lithograph on tan wove paper.

Plate Two, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

Painting of four figures in blue, red, brown dresses playing croquet.

Croquet Scene, 1866

Winslow Homer

A work made of stoneware with celadon glaze and underglaze incised decoration.

Duck-Shaped Ewer with Daoist Priest, Goryeo dynasty (918–1392), 12th century

Terracotta vessel with a narrow neck and small, curved handles, areas of black indicating lost portions of a battle scene.

Amphora (Storage Jar), 340-330 BCE

Ixion Painter

A work made of oil on canvas.

Volunteer, 1963/64

James Rosenquist

A ceramic vessel with a long handle, its bone-white surface decorated with black geometric designs.

Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs, 1000–1300

Ancestral Pueblo (Anasazi)

A work made of pen lithograph on tan wove paper.

Plate Seven, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Two large dark brown wood horned animal headdresses.

Pair of Headdresses (Tyi Wara Kunw), Mid–19th to early 20th century

Bamana

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