Results for Art%20as%20a%20Weapon - Page 13 from chicago

Vincent Kling Studios Art Directors Office, Chicago, Illinois, Plan and Elevations, 1945

Henry Peter Glass

Head (Uhunmwun Elao), 18th/early 19th century

Edo

Helmet Mask (Kponyungo), 19th to early 20th century

Senufo

Meetinghouse Hill, Roxbury, Massachusetts, 1799

John Ritto Penniman

Drive in the Knife, May 1943

Matta

A work made of portfolio of prints (25) of various media.

Photographs from Class of '74, c. 1974

School of The Art Institute of Chicago, Graduate Photography Class of 1974

A work made of acrylic, silkscreen ink, and diamond dust on linen.

Diamond Dust Joseph Beuys, 1980

Andy Warhol

Winter landscape painting with rocky stream lined by orange leafed trees.

Icebound, c. 1889

John Henry Twachtman

Stone Bodhisattva in the Freer Gallery of Art, Washington, D.C., 1971

Hiratsuka Un'ichi

Green glazed vessel decorated with floral adornments, tapered and flared at the neck, with two small cylindrical handles.

Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

A work made of pen lithograph on tan wove paper.

Plate five. from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Gavin Turk New Art Close-Up 2, 2004

Graphic Thought Facility

A work made of miniature room, mixed media.

E-27: French Library of the Modern Period, 1930s, c. 1937

Narcissa Niblack Thorne

A wooden carving of a male figure. The figure has a distinctive face, with oval-shaped eyes and mouth, and wears a cap on his head. His body is covered in various shells, bones, feathers, fabric, and metal nails, and he holds a mirror-sealed resin packet over his stomach.

Male Figure (Nkisi Nkondi), Probably early to mid-19th century

Vili

A work made of lithograph in black on buff wove paper.

The Carpenter, from Arts et Métiers, 1838

Bernard Gaillot

A work made of acrylic on canvas, with two newspapers.

Oct. 31, 1978 (Today Series, "Tuesday"), 1978

On Kawara

Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.

Fisherman's Cottage, 1906

Harald Oscar Sohlberg

Against red background four men stand around another bound naked to a chair, his head covered.

Interrogation II, 1981

Leon Golub

A work made of color lithograph on white wove paper.

It's Not Art, That Counts Now, from Preview Suite, 1988

Allen Rawson Ruppersberg

A work made of stoneware with celadon glaze and underglaze incised decoration.

Vincent Kling Studios Art Directors Office, Chicago, Illinois, Plan and Elevations, 1945

Head (Uhunmwun Elao), 18th/early 19th century

Helmet Mask (Kponyungo), 19th to early 20th century

Meetinghouse Hill, Roxbury, Massachusetts, 1799

Drive in the Knife, May 1943

Photographs from Class of '74, c. 1974

Diamond Dust Joseph Beuys, 1980

Icebound, c. 1889

Stone Bodhisattva in the Freer Gallery of Art, Washington, D.C., 1971

Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

Plate five. from Long Live Fashion, Down with Art, 1919, published 1920

Gavin Turk New Art Close-Up 2, 2004

E-27: French Library of the Modern Period, 1930s, c. 1937

Male Figure (Nkisi Nkondi), Probably early to mid-19th century

The Carpenter, from Arts et Métiers, 1838

Oct. 31, 1978 (Today Series, "Tuesday"), 1978

Fisherman's Cottage, 1906

Interrogation II, 1981

It's Not Art, That Counts Now, from Preview Suite, 1988

Bird Shaped Ewer with Daoist Priest, Goryeo dynasty (918–1392), 12th century

Vincent Kling Studios Art Directors Office, Chicago, Illinois, Plan and Elevations, 1945

Head (Uhunmwun Elao), 18th/early 19th century

Helmet Mask (Kponyungo), 19th to early 20th century

Meetinghouse Hill, Roxbury, Massachusetts, 1799

Drive in the Knife, May 1943

Photographs from Class of '74, c. 1974

Diamond Dust Joseph Beuys, 1980

Icebound, c. 1889

Stone Bodhisattva in the Freer Gallery of Art, Washington, D.C., 1971

Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

Plate five. from Long Live Fashion, Down with Art, 1919, published 1920

Gavin Turk New Art Close-Up 2, 2004

E-27: French Library of the Modern Period, 1930s, c. 1937

Male Figure (Nkisi Nkondi), Probably early to mid-19th century

The Carpenter, from Arts et Métiers, 1838

Oct. 31, 1978 (Today Series, "Tuesday"), 1978

Fisherman's Cottage, 1906

Interrogation II, 1981

It's Not Art, That Counts Now, from Preview Suite, 1988

Bird Shaped Ewer with Daoist Priest, Goryeo dynasty (918–1392), 12th century