Curator

  • Art Institute Chicago
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Lamp with stained glass shade featuring dragonflies and shades of green, purple, brown.

Lamp with “Hanging Head Dragonfly” Shade and “Mosaic and Turtleback” Base, By 1906

Clara Driscoll

A work made of glass.

"Ruba Rombic" Vase, 1928–32

Reuben Haley

A work made of offset lithograph in black on ivory wove paper.

Relax Senator Helms, The Art World Is Your Kind of Place!, 1989

Guerrilla Girls

A work made of color lithograph on white wove paper.

It's Not Art, That Counts Now, from Preview Suite, 1988

Allen Rawson Ruppersberg

A work made of oil on canvas.

Interior of St. Mark's, Venice, 1869

David Dalhoff Neal

A bronze lion, deep green and muscular, looks out in the distance from its pedestal in front of the Art Institute of Chicago.

Lion (One of a Pair, South Pedestal), 1893

Edward Kemeys

Large painted portrait of Mao wearing eyeshadow, blush, blue backdrop.

Mao, 1972

Andy Warhol

A work made of iron with inlays of gold, silver, bronze, and copper on wood base.

Lock, 1911

Frank L. Koralewsky

A work made of copper alloy.

Goldweight: Seated Figure, Mid–19th/mid–20th century

Asante

A work made of etching, burnished aquatint and drypoint on ivory laid paper.

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Stately interior with cream walls and high ceilings. At left is a fireplace with a large military portrait painting above it; at right are two large windows lined with dark curtains. Modern and metallic decorative elements, including a distinctive screen panel and coffee table, mix with more traditional, antique pieces.

E-15: English Drawing Room of the Modern Period, 1930s, c. 1937

Narcissa Niblack Thorne

A work made of pen lithograph on tan wove paper.

Title Page, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Against red background four men stand around another bound naked to a chair, his head covered.

Interrogation II, 1981

Leon Golub

A work made of pen lithograph on tan wove paper.

Plate One, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

A work made of portfolio cover.

Portfolio Cover for Serigraphs by Students of the Art Institute of Chicago, 1966

School of the Art Institute of Chicago

A work made of lithograph in black on buff wove paper.

The Tailor, from Arts et Métiers, 1838

Bernard Gaillot

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Wooden sculpture of seated king surrounded by family.

Veranda Post (Òpó Ògògá), 1910-14

Olowe of Ise

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