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A work made of tin-glazed earthenware.

Chocolate Jar with Iron-locked Lid, 1725–75

Talavera Poblana

A work made of wood, raffia, burlap, turaco feathers, guinea fowl feathers, and pigment.

Male Face Mask (Chihongo), Mid–late 19th century

Chokwe

A work made of longquan ware; stoneware with underglaze molded decoration.

Foliate Cup and Stand, Yuan dynasty (1279–1368), 14th century

A squat oval-shaped ceramic jar, painted black, with a cylindrical top and two very small handles on either side of the top. Some visible paint loss.

Blackware Jar with Single Spout, 1200–1450

Chimú

A work made of pen lithograph on tan wove paper.

Plate Four, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of oil and collage on panel.

Towards a definitive statement on the coming trends in men's wear and accessories (c) Adonis in Y-fronts, 1962

Richard Hamilton

A work made of glass, vitreous paint, silver stain, and lead.

Saints and Worshippers in Adoration, 1510-15

A work made of oak and upholstery.

Side Chair, 1904

Frank Lloyd Wright

A work made of wood, pigment, and fiber.

Figure Screen (Duein Fubara), Early 20th century

Kalabari

A work made of oil on canvas.

Departure of Summer, 1914

Man Ray (Emmanuel Radnitzky)

A work made of acrylic and silkscreen ink on linen.

Four Mona Lisas, 1978

Andy Warhol

Painting of two red-and-orange flowers in the bottom half of the frame and beyond them, in the top half, reddish-brown hills.

Red Hills with Flowers, 1937

Georgia O'Keeffe

A work made of jian ware; stoneware with dark brown "hare's fur" glaze and metal rim.

Tea Bowl, Song dynasty (960–1279), 12th/13th century

A work made of wood, beads, and traces of pigment.

Female Figure with Bowl, Late 19th century

Abogunde of Ede

A work made of oil on canvas.

Autumn, c. 1914

Wilson Henry Irvine

Small woman seated on a pedestal with a large human-sized drum on her head.

Female Caryatid Drum (Pinge), c. 1930-c. 1950

Senufo

A work made of terracotta, red-figure.

Column-Krater (Mixing Bowl), about 460 BCE

Ancient Greek

Oil painting in cartoon style of gigantic, close-up brushstroke of paint, blue spatter.

Brushstroke with Spatter, 1966

Roy Lichtenstein

A work made of graphite and charcoal, heightened with touches of white chalk, on tan tracing paper, squared in charcoal, laid down on cream wood pulp laminate board.

Two Flying Figures with a Lyre (Study for The Sacred Grove, Beloved of the Arts and the Muses), c. 1883

Pierre Puvis de Chavannes

A work made of oil on canvas.

Summer Night in Arizona, 1944

Max Ernst

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