Results for Art%20Institute%20Icons

The River, 1942

O. Louis Guglielmi

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

New York (Couple on Steps of Metropolitan Museum of Art), c. 1971

Garry Winogrand

Competition Proposal for Nelson Atkins Museum of Art, Interior Perspective, 1999

Steven Holl

Amphora (Storage Jar), 4th century BCE

Ancient Greek

A room with canon at left pointed toward a wall divided into four segments: wood grain at top left; at top right, gray tubes with halved spheres; at bottom left, blue sky and clouds; and at bottom right, a brown building with curtained windows. A left wall, segmented in two, features a nude female torso at top and detailed trees at bottom. The right wall features a top panel of wavy yellow and orange, while bottom panel has a pink, cutout-like motif.

On the Threshold of Liberty, February–March 1937

René Magritte

After Rain, Chicago, 1911

Frank Charles Peyraud

Face Mask (Agbogho Mmuo), Late 19th or early 20th century

Igbo

Rounded Jar Depicting Abstract Fish or Sharks, 180 BCE–500 CE

Nasca

Untitled (Psychological Morphology), 1939

Matta

Oil portrait with man in suit, dim green background.

Henry Ossawa Tanner, c. 1896

Hermann Dudley Murphy

A work made of color lithograph on cream wove paper laid down on linen.

Wolfsberg Art Salon Zurich Augusto Giacometti exhibition from February to March 1921, 1921

Augusto Giacometti

A work made of etching, aquatint, drypoint and burin on ivory laid paper.

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A flat-lidded pale ceramic in a floral-like shape, a delicate floral motif in relief at top and on the sides.

Cloud-Shaped Pillow with Peony Scroll, Northern Song dynasty (960–1127), late 10th/early 11th century

Head of Xilonen, the Goddess of Young Maize, 1400–1500

Aztec (Mexica)

A work made of wood, raffia, burlap, turaco feathers, guinea fowl feathers, and pigment.

Male Face Mask (Chihongo), Mid–late 19th century

Chokwe

A work made of partially gilded and painted blown mold glass.

"Royal Flemish" Vase, 1889–95

Mount Washington Glass Works

Dorian Gray, 1945

Ivan Albright

Chocolate Jar with Iron-locked Lid, 1725–75

Talavera Poblana

A work made of etching, burnished aquatint and burin on ivory laid paper.

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of longquan ware; stoneware with underglaze molded decoration.

The River, 1942

New York (Couple on Steps of Metropolitan Museum of Art), c. 1971

Competition Proposal for Nelson Atkins Museum of Art, Interior Perspective, 1999

Amphora (Storage Jar), 4th century BCE

On the Threshold of Liberty, February–March 1937

After Rain, Chicago, 1911

Face Mask (Agbogho Mmuo), Late 19th or early 20th century

Rounded Jar Depicting Abstract Fish or Sharks, 180 BCE–500 CE

Untitled (Psychological Morphology), 1939

Henry Ossawa Tanner, c. 1896

Wolfsberg Art Salon Zurich Augusto Giacometti exhibition from February to March 1921, 1921

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816

Cloud-Shaped Pillow with Peony Scroll, Northern Song dynasty (960–1127), late 10th/early 11th century

Head of Xilonen, the Goddess of Young Maize, 1400–1500

Male Face Mask (Chihongo), Mid–late 19th century

"Royal Flemish" Vase, 1889–95

Dorian Gray, 1945

Chocolate Jar with Iron-locked Lid, 1725–75

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published 1816

Foliate Cup and Stand, Yuan dynasty (1279–1368), 14th century

The River, 1942

New York (Couple on Steps of Metropolitan Museum of Art), c. 1971

Competition Proposal for Nelson Atkins Museum of Art, Interior Perspective, 1999

Amphora (Storage Jar), 4th century BCE

On the Threshold of Liberty, February–March 1937

After Rain, Chicago, 1911

Face Mask (Agbogho Mmuo), Late 19th or early 20th century

Rounded Jar Depicting Abstract Fish or Sharks, 180 BCE–500 CE

Untitled (Psychological Morphology), 1939

Henry Ossawa Tanner, c. 1896

Wolfsberg Art Salon Zurich Augusto Giacometti exhibition from February to March 1921, 1921

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816

Cloud-Shaped Pillow with Peony Scroll, Northern Song dynasty (960–1127), late 10th/early 11th century

Head of Xilonen, the Goddess of Young Maize, 1400–1500

Male Face Mask (Chihongo), Mid–late 19th century

"Royal Flemish" Vase, 1889–95

Dorian Gray, 1945

Chocolate Jar with Iron-locked Lid, 1725–75

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published 1816

Foliate Cup and Stand, Yuan dynasty (1279–1368), 14th century