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Ghostly white face formed by a winding line, creating forehead wrinkles, nose, chin. Droopy eyes and a small black heart.

In the Magic Mirror, 1934

Paul Klee

A work made of color woodblock print; chuban.

Ise, from an untitled series of Thirty-six Immortal Poets, c. 1767/68

Suzuki Harunobu

A work made of color woodblock print.

Great Bridge at Senju, 1913

Tobari Kogan

A work made of wood engraving on cream japanese paper.

The Restaurant of the Great Art Exhibition: A symbiotic love for the arts and the cutlet, 1868, printed 1920

Etienne Carjat

A work made of ceramic with pigment.

Stamp Depicting a Plant-like Motf, Possibly 1000–1500

Zapotec

A work made of copper alloy.

Goldweight Depicting a Chameleon, Mid–19th/mid–20th century

Asante

A work made of wood, glass, paper, metal, and shell.

Soap Bubble Set, 1940 (reworked 1953)

Joseph Cornell

A work made of earthenware, glaze, and engobe.

Jazz Bowl, c. 1931

Viktor Schreckengost

A work made of silkscreen ink on primed linen, twelve joined canvases.

Twelve Jackies, 1964

Andy Warhol

A work made of color screenprint on board.

Art Classes for Children, 1935/43

R. E. K.

Three-part bronze sculpture set of two clenched hands and a man's face with closed eyes and mouth, an object in one hand.

Life Cast of the Hands and Face of Abraham Lincoln, Cast in plaster 1860; cast in bronze by 1888

Leonard Wells Volk

A work made of oil on canvas.

A Friendly Warning, 1881–90

Thomas Hicks

A tall, spindly human figure in rough bronze with an elongated torso and arms and dramatically long, thin, kneeless legs appears to be walking mid-stride, both feet on the ground but quite far apart

Walking Man II, 1960

Alberto Giacometti

A work made of oil on canvas.

Just Dessert, 1891

William Michael Harnett

A work made of pen lithograph on tan wove paper.

Plate Two, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of oil on paper mounted on panel.

The Artist in His Studio, 1865–66

James McNeill Whistler

A work made of oil on copper.

The Two Philosophers, February 4–12, 1936

Joan Miró

A work made of etching and aquatint on ivory laid paper.

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of silver gilt, rock crystal, textile, and human remains.

Reliquary Monstrance with a Tooth of Saint John the Baptist, 1433; container: 900/1200

Weddeghe Velstede

A work made of wood, pigment, and sacrificial material.

Male Figure, Possibly 18th century

Dogon

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