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A work made of terracotta, red-figure.

Amphora (Storage Jar), 4th century BCE

Ancient Greek

A room with canon at left pointed toward a wall divided into four segments: wood grain at top left; at top right, gray tubes with halved spheres; at bottom left, blue sky and clouds; and at bottom right, a brown building with curtained windows. A left wall, segmented in two, features a nude female torso at top and detailed trees at bottom. The right wall features a top panel of wavy yellow and orange, while bottom panel has a pink, cutout-like motif.

On the Threshold of Liberty, February–March 1937

René Magritte

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

New York (Couple on Steps of Metropolitan Museum of Art), c. 1971

Garry Winogrand

A work made of iris print on paper.

Competition Proposal for Nelson Atkins Museum of Art, Interior Perspective, 1999

Steven Holl

A work made of oil on canvas.

Untitled (Psychological Morphology), 1939

Matta

A work made of wood and pigment.

Face Mask (Agbogho Mmuo), Late 19th or early 20th century

Igbo

A work made of oil on canvas.

The River, 1942

O. Louis Guglielmi

A work made of painted pine, gilded copper alloy, iron.

Tall Case Clock, 1820–84

Uriah Dyer

A flat-lidded pale ceramic in a floral-like shape, a delicate floral motif in relief at top and on the sides.

Cloud-Shaped Pillow with Peony Scroll, Northern Song dynasty (960–1127), late 10th/early 11th century

A work made of oil on canvas.

After Rain, Chicago, 1911

Frank Charles Peyraud

A work made of partially gilded and painted blown mold glass.

"Royal Flemish" Vase, 1889–95

Mount Washington Glass Works

Oil portrait with man in suit, dim green background.

Henry Ossawa Tanner, c. 1896

Hermann Dudley Murphy

A work made of wood, raffia, burlap, turaco feathers, guinea fowl feathers, and pigment.

Male Face Mask (Chihongo), Mid–late 19th century

Chokwe

A work made of color lithograph on cream wove paper laid down on linen.

Wolfsberg Art Salon Zurich Augusto Giacometti exhibition from February to March 1921, 1921

Augusto Giacometti

A work made of etching, aquatint, drypoint and burin on ivory laid paper.

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of tin-glazed earthenware.

Chocolate Jar with Iron-locked Lid, 1725–75

Talavera Poblana

A squat oval-shaped ceramic jar, painted black, with a cylindrical top and two very small handles on either side of the top. Some visible paint loss.

Blackware Jar with Single Spout, 1200–1450

Chimú

A work made of basalt.

Head of Xilonen, the Goddess of Young Maize, 1400–1500

Aztec (Mexica)

A work made of longquan ware; stoneware with underglaze molded decoration.

Foliate Cup and Stand, Yuan dynasty (1279–1368), 14th century

A work made of etching, burnished aquatint and burin on ivory laid paper.

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

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