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Painting, recto; Text , verso of  folio 14, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, recto; Text , verso of folio 14, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

The Prophet's Mosque in Medina (painting, recto; text, verso of folio 12), illustrated folio from a Manuscript of Dala'il al-Khayrat

The Prophet's Mosque in Medina (painting, recto; text, verso of folio 12), illustrated folio from a Manuscript of Dala'il al-Khayrat

Ottoman

Painting, verso; Text, recto of  folio 9, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, verso; Text, recto of folio 9, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

Painting, recto; Text, verso of folio 15, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, recto; Text, verso of folio 15, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

Painting, recto; Text, verso of folio 16, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, recto; Text, verso of folio 16, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

Mule (painting, recto; text, verso), Illustrated folio from Manafi Al-Hayawan of Ibn Bakhtishu

Mule (painting, recto; text, verso), Illustrated folio from Manafi Al-Hayawan of Ibn Bakhtishu

Persian

Gopi Imploring Krishna to go to Radha  (painting, recto; text, verso), folio from a Satsaiya (Seven Hundred Verses) series

Gopi Imploring Krishna to go to Radha (painting, recto; text, verso), folio from a Satsaiya (Seven Hundred Verses) series

Indian

Heavenly Joys Come to Earth (painting, recto; text, verso), folio 243 from a manuscript of the Divan of Anvari

Heavenly Joys Come to Earth (painting, recto; text, verso), folio 243 from a manuscript of the Divan of Anvari

Attributed to Khem Karan

Krishna and Radha Celebrating Holi with the Gopis (painting, recto; text, verso), folio from a Satsaiya (Seven Hundred Verses) series

Krishna and Radha Celebrating Holi with the Gopis (painting, recto; text, verso), folio from a Satsaiya (Seven Hundred Verses) series

Indian

The Return of Zal, Rustam and Gudarz (painting, recto); The Story of Luhrasp (text, verso), folio from a manuscript of the Shahnama of Firdawsi

The Return of Zal, Rustam and Gudarz (painting, recto); The Story of Luhrasp (text, verso), folio from a manuscript of the Shahnama of Firdawsi

Mu’in Musavvir

Text (recto and verso), folio from a manuscript of Yusuf va Zulaykha, left-hand side of a bifolio

Text (recto and verso), folio from a manuscript of Yusuf va Zulaykha, left-hand side of a bifolio

Persian

Text (recto and verso), folio 76r from a Divan (collected works) of Hafiz, right-hand side of a bifolo.

Text (recto and verso), folio 76r from a Divan (collected works) of Hafiz, right-hand side of a bifolo.

Persian

Section Heading: Sends Ambassador to Hassan, Governor of Kharazm (text, recto and verso), folio from a manuscript of the Timur Nama of Hatifi

Section Heading: Sends Ambassador to Hassan, Governor of Kharazm (text, recto and verso), folio from a manuscript of the Timur Nama of Hatifi

Persian

Iskandar's Mother Weeping Over his Bier (painting, verso; text, recto), illustrated folio from a manuscript of the Shahnama of Firdawsi

Iskandar's Mother Weeping Over his Bier (painting, verso; text, recto), illustrated folio from a manuscript of the Shahnama of Firdawsi

Persian

Khusraw catches sight of Shirin Bathing (text recto; painting verso of folio 50), painting from a manuscript of the Khamsa by Nizami

Khusraw catches sight of Shirin Bathing (text recto; painting verso of folio 50), painting from a manuscript of the Khamsa by Nizami

Persian

Nushaba recognizing Iskandar by his portrait (text verso; painting recto of folio 291), painting from a manuscript of the Khamsa by Nizami

Nushaba recognizing Iskandar by his portrait (text verso; painting recto of folio 291), painting from a manuscript of the Khamsa by Nizami

Persian

The first colophon and the Ka‘ba at Mecca (text recto, painting verso of folio 18) from a manuscript of prayer

The first colophon and the Ka‘ba at Mecca (text recto, painting verso of folio 18) from a manuscript of prayer

Ottoman

Untitled (bleed-through of previous page, left page); Untitled (text with color transfer, right page)

Untitled (bleed-through of previous page, left page); Untitled (text with color transfer, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page with text, left page); Untitled (red horses, right page)

Untitled (bleed-through of previous page with text, left page); Untitled (red horses, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page with text, left page); Untitled (red horse, right page)

Untitled (bleed-through of previous page with text, left page); Untitled (red horse, right page), 1928 - 2014

Otto Piene

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