Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Procession (painting, recto), Text (verso), illustrated folio (211) from a Partial Manuscript of the Zafarnama by Sharaf al-Din `Ali Yazdi

Procession (painting, recto), Text (verso), illustrated folio (211) from a Partial Manuscript of the Zafarnama by Sharaf al-Din `Ali Yazdi

Persian

The left half of the double-page illuminated frontispiece (illumination recto; text verso of folio 3), frontispiece from a manuscript of the Khamsa by Nizami

The left half of the double-page illuminated frontispiece (illumination recto; text verso of folio 3), frontispiece from a manuscript of the Khamsa by Nizami

Persian

Shirin goes to Mount Bistun and meets Farhad (text recto; painting verso of folio 77), painting from a manuscript of the Khamsa by Nizam

Shirin goes to Mount Bistun and meets Farhad (text recto; painting verso of folio 77), painting from a manuscript of the Khamsa by Nizam

Persian

Khusraw, Shirin, Shapur and the girls telling stories (text recto; painting verso of folio 165), painting from a manuscript of the Khamsa by Nizami

Khusraw, Shirin, Shapur and the girls telling stories (text recto; painting verso of folio 165), painting from a manuscript of the Khamsa by Nizami

Persian

Bahram Gur gains Ardashir’s quest of the crown (text recto; painting verso of folio 196), painting from a manuscript of the Khamsa by Nizami

Bahram Gur gains Ardashir’s quest of the crown (text recto; painting verso of folio 196), painting from a manuscript of the Khamsa by Nizami

Persian

Illuminated sarlawh of Sharaf-nama (Iskandar-nama), (text recto; illumination verso of folio 243), sarlawh from a manuscript of the Khamsa by Nizami

Illuminated sarlawh of Sharaf-nama (Iskandar-nama), (text recto; illumination verso of folio 243), sarlawh from a manuscript of the Khamsa by Nizami

Persian

Untitled (color transfer, left page); Untitled (color transfer of text on following pages, right page)

Untitled (color transfer, left page); Untitled (color transfer of text on following pages, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page with text, left page); Untitled (Moshe Safdie building, right page)

Untitled (bleed-through of previous page with text, left page); Untitled (Moshe Safdie building, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page with text, left page); Untitled (Hüttenstr. 104 interior, right page)

Untitled (bleed-through of previous page with text, left page); Untitled (Hüttenstr. 104 interior, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page with text, left page); Untitled (horses under arches, right page)

Untitled (bleed-through of previous page with text, left page); Untitled (horses under arches, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page with text, left page); Untitled (horse under arch, right page)

Untitled (bleed-through of previous page with text, left page); Untitled (horse under arch, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page with text, left page); Untitled (design for inflatables arches, right page)

Untitled (bleed-through of previous page with text, left page); Untitled (design for inflatables arches, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page with text, left page); Untitled (Fontaine de Vaucluse, right page)

Untitled (bleed-through of previous page with text, left page); Untitled (Fontaine de Vaucluse, right page), 1928 - 2014

Otto Piene

A young Japanese woman in a kimono stands near a railing of an outdoor platform above water in spring season.

Ono no Komachi from the series One Hundred Poems by One Hundred Poets (Hyakunin isshu), 1725-1770

Suzuki Harunobu 鈴木春信

Black-and-white print of nude man standing on hydra

Hercules and the Slain Hydra, 1520 - 1582

Giorgio Ghisi

A print depicting the enclosed image of a nude cherub leaning against a bow and looking at an image of a woman that he holds in his left hand. Around the image are banners of text.

Muto, non Ciecho Sçavoir = Vivre Masquerade, 1727 - 1815

Francesco Bartolozzi

A woman in loose flowing robes plays a lyre beside the body of a deceased man

Calliope Mourning Homer, 1748 - 1825

Circle of Jacques-Louis David

The Rape of Thamar

The Rape of Thamar, 1577 - 1658

Christoffel van Sichem II

The Resurrection

The Resurrection, 1577 - 1658

Christoffel van Sichem II

Title Page

Title Page, 1471 - 1528

Albrecht Dürer

<<<99100101102 >>>