Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Saint Michael and the Dragon

Saint Michael and the Dragon, 1471 - 1528

Albrecht Dürer

love's complexity

love's complexity, 1918 - 1986

Corita Kent (Sister Mary Corita)

The Apostate Jack R. - The Political Rat Catcher

The Apostate Jack R. - The Political Rat Catcher, 1756 - 1827

Thomas Rowlandson

The Amorous Couple

The Amorous Couple, 1631/32 - 1664

Cornelis Bega

The Falcon

The Falcon, 1802 - 1873

Edwin Henry Landseer

Study for the Head of Christ

Study for the Head of Christ, 1528 - 1612

Federico Barocci

Standing Male Nude, Saint John the Evangelist with a Bishop or Abbot Saint; verso: Seated Male Nude

Standing Male Nude, Saint John the Evangelist with a Bishop or Abbot Saint; verso: Seated Male Nude, 1503 - 1540

Parmigianino

Two folios of Persian poetry in safina format

Two folios of Persian poetry in safina format

Persian

Two folios of Persian poetry in safina format

Two folios of Persian poetry in safina format

Persian

Manuscript of the Ruba‘yyat by ‘Umar Khayyam

Manuscript of the Ruba‘yyat by ‘Umar Khayyam

Ottoman

Manuscript of the Muntakhab-i Bustan (Selections from the Bustan by Sa`di)

Manuscript of the Muntakhab-i Bustan (Selections from the Bustan by Sa`di)

The illuminated sarlawh; notes and seals (notes and seals recto; sarlawh verso of folio 1), from a manuscript of the Muntakhab-i Bustan by Sa`di

The illuminated sarlawh; notes and seals (notes and seals recto; sarlawh verso of folio 1), from a manuscript of the Muntakhab-i Bustan by Sa`di

Inspection notes and poems in later hands (text recto; later notes verso of folio 24), from a manuscript of the Muntakhab-i Bustan by Sa`di

Inspection notes and poems in later hands (text recto; later notes verso of folio 24), from a manuscript of the Muntakhab-i Bustan by Sa`di

Folio with extension of the doublure’s support (blue paper with embossed patterns recto; blank verso of folio 1), from a manuscript of the Ruba‘yyat by ‘Umar Khayyam

Folio with extension of the doublure’s support (blue paper with embossed patterns recto; blank verso of folio 1), from a manuscript of the Ruba‘yyat by ‘Umar Khayyam

Ottoman

Frontispiece with a decorated sarlawh (blank recto; text verso of folio 2), from a manuscript of the Ruba‘yyat by ‘Umar Khayyam

Frontispiece with a decorated sarlawh (blank recto; text verso of folio 2), from a manuscript of the Ruba‘yyat by ‘Umar Khayyam

Ottoman

Folio with an illumination (text recto; illumination verso of folio 6), from a manuscript of the Ruba‘yyat by ‘Umar Khayyam

Folio with an illumination (text recto; illumination verso of folio 6), from a manuscript of the Ruba‘yyat by ‘Umar Khayyam

Ottoman

Text folio with a decorated sarlawh (blank recto; sarlawh verso of folio 7), from a manuscript of the Ruba‘yyat by ‘Umar Khayyam

Text folio with a decorated sarlawh (blank recto; sarlawh verso of folio 7), from a manuscript of the Ruba‘yyat by ‘Umar Khayyam

Ottoman

Folio with extension of the doublure support (blank recto; blue paper with embossed patterns verso of folio 72), from a manuscript of the Ruba‘yyat by ‘Umar Khayyam

Folio with extension of the doublure support (blank recto; blue paper with embossed patterns verso of folio 72), from a manuscript of the Ruba‘yyat by ‘Umar Khayyam

A grey cast bronze box-shaped vessel with a sloped lid. The entire piece is inscribed with detailed, swirling designs with the bottom-center having a goat-like inscription.

'Fangyi' Covered Ritual Wine Vessel with 'Taotie' Decor

Chinese

A cast bronze cup that has a long handle that slopes upward. The handle is decorated with finely engraved lines. The cup is mottled bright green and grey.

'Shao' Ritual Wine Ladle

Chinese

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