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A work made of silk, cotton, wild silk and gold-leaf-over-lacquered-paper strips, warp-float faced 2:1 's' twill weave with supplementary patterning and brocading wefts bound in twill interlacings.

Obi (Belt), Meiji period (1868–1912), 1875/1900

A work made of color woodblock print; oban.

Hour of the Monkey [4pm] (Saru no koku), from the series “The Twelve Hours in Yoshiwara” ("Seiro juni toki tsuzuki"), c. 1794

Kitagawa Utamaro

A work made of color woodblock print; oban.

Geisha of the West District, n.d.

Kitagawa Utamaro

A work made of woodblock print; oban, sumizuri-e.

Reading a Letter, c. 1688

Furuyama Moroshige

A work made of color woodblock print; oban triptych.

An American Mercantile Building in Yokohama (Yokohama ijin shokan no zu), 1861

Utagawa Sadahide

A work made of color woodblock print; oban.

The Courtesan Senzan of the Chojiya, from the series "Beauties of the Five Festivals (Bijin gosekku)", c. 1795/1800

Ichirakutei Eisui

A work made of color woodblock print; ōban.

The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38

Utagawa Hiroshige

A work made of silk, rayon, and gold-leaf-over-paper-wrapped rayon, warp-float faced 2:1 'z' twill weave with plain interlacings of supplementary patterning wefts, self-patterning ground wefts, and secondary binding warps; upper cover: cotton, plain weave; glazed.

Woman's Obi (Sash) Fabric, Shôwa period (1926–1989), 1940–58

A work made of printed book with two-color printed dust jacket.

Sirenin ocas (Siren's Tail), 1937

Ladislav Sutnar

A work made of silk, rayon, gold-leaf-over-lacquered-paper-strip-wrapped silk and gilt-metal foil on paper-strip-wrapped rayon, warp-float faced 2:1 's' twill weave with plain interlacings of secondary binding warps and supplementary patterning and brocading wefts.

Woman's Obi (Sash) Fabric, Taishô period (1912–1926) / Shôwa period (1926–1989), first half of the 20th century

Ehon monomi ga oka

Ehon monomi ga oka, Reproduction of an 18th century original

Obra Gráfica: Elí Barreto

Obra Gráfica: Elí Barreto, 1981

Luis Alonso

A work made of color woodblock print; oban.

Twilight Moon at the Ryogoku Bridge (Ryogoku no yoizuki), from the series "Famous Views of the Eastern Capital (Toto Meisho)", c. 1831

Utagawa Hiroshige

A work made of color woodblock print; oban triptych.

At the Ferry Boat Landing, c. 1804

Kitagawa Utamaro

A work made of color woodblock print; oban.

No. 58: Tarui, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38

Utagawa Hiroshige

A work made of color woodblock print; oban.

The Courtesan Hinazuru of the Chojiya with her Attendants, from the series "Edo Purple in the Pleasure Quarters (Seiro Edo murasaki)", c. 1790

Chôbunsai Eishi

A work made of color woodblock print, oban.

Act Seven, from the series "Treasury of the Loyal Retainers (Chushingura) (Shichi-damme)", c. 1801/02

Kitagawa Utamaro

A work made of color woodblock print; oban triptych.

Enjoying the Cool in a Garden, c. 1788/90

Kitagawa Utamaro

A work made of color woodblock print; yoko oban.

Tenji Tenno (The Emperor Tenji), first poet in the series One Hundred Poems by One Hundred Poets Explained by the Nurse, c. 1835/36

Katsushika Hokusai

A work made of color woodblock print; oban.

Shinagawa: Teahouses at Samegafuchi (Shinagawa, Samegafuchi no chaya)—No. 2, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

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