Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of woodblock print in green and white inks on cream wove paper.

Sunflower, Design 1879

William Morris

A work made of woodblock print in colored inks on cream wove paper.

Myrtle, Design 1875

William Morris

A work made of woodblock print in pink inks on cream wove paper.

Marigold, Design 1875

William Morris

A work made of woodblock print in green and white inks on cream wove paper.

Marigold, Design 1875

William Morris

A work made of woodblock print in colored inks on cream wove paper.

Wild Tulip, Design 1884

William Morris

A work made of embossed mohair plush.

Utrecht Velvet, Design c. 1871

William Morris

A work made of woodblock print in colored inks on cream wove paper.

Daisy, Design 1864

William Morris

A work made of woodblock print in colored inks on cream wove paper.

Blackthorn, Design 1892

John Henry Dearle

A work made of book, offset lithograph.

The Role of Women in the Revolution, c. 1975

Ahmed Sékou Touré

A work made of collage of cut printed, painted, and colored papers and opaque and translucent watercolors, with metallic coated paper and traces of graphite, on board.

Untitled (Strips Whirled), c. 1953-58

Ray Johnson

Close-up view of the face of a medium brown–skinned man cupping his chin in his hand, his eyes closed. The brushstrokes are visible and his features are somewhat exaggerated and disproportionate. He is set against a light green background.

Barack, 2020

Jordan Casteel

A work made of color woodblock prints; oban triptych.

Artist, Block Carver, Applying Sizing (Eshi, hangashi, dosa-biki), from the series The Cultivation of Brocade Prints, a Famous Product of Edo (Edo meibutsu nishiki-e kosaku), About 1803

Kitagawa Utamaro

A color woodblock print of a white and blue waterfall cascading down from green rocky terrain with a figure standing below in the foreground

Yoro Waterfall in Mino Province (Mino no kuni Yoro no taki), from the series Tour of the Waterfalls in Various Provinces (Shokoku Takimeguri), c. 1833

Katsushika Hokusai

A work made of color woodblock print; oban.

Ishibe: Megawa Village (Ishibe, Megawa no sato), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A color woodblock print of a landscape scene, blue-green grasses, a winding road with a few travellers, papers blowing in the wind, Mt. Fuji in the background

Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; oban.

Woman Holding a Tortoise-shell Hair-comb, c. 1795/96

Kitagawa Utamaro

A color woodblock print of blue and white showing a man on the edge of a rock casting lines into a river with Mt. Fuji in the distant background

Kajikazawa in Kai Province (Koshu Kajikazawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of a: silk and gold-leaf-over-lacquered-paper strip, warp-dyed (kasuri) plain weave with creped wefts and with supplementary brocading wefts (chirimen nuitori) bound by main warp in weft float faced 1:5 's'twill interlacings
b: silk, wild silk and gold-leaf-over-lacquered-paper-strip wrapped silk, warp-stripe plain weave with paired wefts and strips of 3:1 interlacing in alternation with supplementary brocading wefts bound by main warps in plain interlacings.

Katagawa Obi (Side Patterned Belt), Taishô period (1912–1926), c. 1914

A work made of woodblock print; oban.

Murasaki Shikibu, from the series Ukiyo-e Genji, Edo period (1615–1868), about 1710

Okumura Masanobu

A work made of color woodblock print, oban.

Portrait of Santo Kyoden, the Master of Kyobashi (Edo hana Kyobashi natori), c. 1795

Rekisentei Eiri

<<<46474849 >>>