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A work made of woodblock print in colored inks on cream wove paper.

Daisy, Design 1864

William Morris

A work made of woodblock print in colored inks on cream wove paper.

Blackthorn, Design 1892

John Henry Dearle

A work made of woodblock print in green, white, and brown inks on cream wove paper.

Willow Bough, Design 1887, made after 1940

William Morris

A work made of woodblock print in ink on cream wove paper.

Marigold, Design 1875

William Morris

A work made of woodblock print in colored inks on cream wove paper.

Fruit, Design 1865–66

William Morris

A work made of gelatin silver print.

Untitled, 1960s

Kwame Brathwaite

A work made of gelatin silver print.

Untitled (AJAS), c. 1960

Kwame Brathwaite

A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of chromogenic print.

Untitled (Grandassa), c. 1970s

Kwame Brathwaite

A work made of offset print.

Untitled (Poster for Naturally ‘92), 1992

Kwame Brathwaite

Untitled (Garvey Day Deedee in Car)

Untitled (Garvey Day Deedee in Car), c. 1965, printed 2018

Kwame Brathwaite

A work made of oil on canvas.

The Blue Lake (Der blaue See), 1912

Gabriele Münter

A work made of collage of cut printed, painted, and colored papers and opaque and translucent watercolors, with metallic coated paper and traces of graphite, on board.

Untitled (Strips Whirled), c. 1953-58

Ray Johnson

A work made of book, offset lithograph.

The Role of Women in the Revolution, c. 1975

Ahmed Sékou Touré

A sloping orange-red mountain with a single peak rises from the lower-left quadrant of the work, the peak cresting at upper right. The mountain’s base, speckled with trees, is green, while its peak, lined with white show, is mostly brown. A rich blue sky above the mountain is crowded with long, thin, fluffy clouds.

A Mild Breeze on a Fine Day (Gaifu kaisei), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock prints; oban triptych.

Chinese Beauties at a Banquet, 1788/90

Kitagawa Utamaro

A work made of color woodblock print; oban.

Komagata Embankment (Komagatagashi), from the series "Twelve Scenes of Tokyo (Tokyo junidai)", 1919

Watanabe Shozaburo

A work made of color woodblock print; oban.

A Selection of Six Flowers - A Parody Rokkasen (Yatsushi rokkasen): Bishop Henjo, c. 1798

Chôbunsai Eishi

A work made of silk and silver-leaf-over-lacquered-paper strips, plain weave with bands of 1:1 plain gauze weave with weft-float faced 1:3 's' twill interlacings of secondary binding warps and supplementary brocading wefts.

Fragment (From an Obi), Meiji period (1868–1912)/ Taishô period (1912–1926)/ Shôwa period (1926–1989)/ Heisei period (1989–present), 20th century

A work made of silk, gold-leaf-over-lacquered-paper-strip and gold-leaf-over-lacquered-paper-strip wrapped silk, twill weave with supplementary patterning and brocading wefts.

Fragment (From an Obi), Meiji period (1868–1912)/ Taishô period (1912–1926)/ Shôwa period (1926–1989)/ Heisei period (1989–present), 20th century

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