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A work made of color woodblock print; oban.

Arai: View of Ferryboats (Arai, watashibune no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of color woodblock print; oban.

The actor Onoe Matsusuke I as Matsushita Mikinoshin, 1794

Tōshūsai Sharaku

A work made of color woodblock prints; oban triptych.

Evening View of Eight Famous Sites at Kanazawa (Buyo Kanazawa hassho yakei), 1857

Utagawa Hiroshige

A work made of color woodblock print; oban.

Iris and Grasshopper, from an untitled series of large flowers, c. 1833/34

Katsushika Hokusai

A work made of color woodblock print; oban.

Sakanoshita—No. 49, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of color woodblock print; oban.

Tsukioka of the Hyogoya (Hyogoya uchi tsukioka), from the series "Seiro bijin meika awase", c. 1801

Kitagawa Utamaro

A work made of silk, cotton, wild silk and gold-leaf-over-lacquered-paper strips, warp-float faced 2:1 's' twill weave with supplementary patterning and brocading wefts bound in twill interlacings.

Obi (Belt), Meiji period (1868–1912), 1875/1900

A work made of color woodblock print; oban.

Somenosuke of the Matsubaya, [whose attendants are] Wakagi, Wakaba (Matsubaya uchi Somenosuke, Wakagi, Wakaba), from the series “Array of Supreme Beauties of the Present Day" ("Toji zensei bijin-zoroe"), 1794

Kitagawa Utamaro

A work made of color woodblock print; oban.

Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Edo period (1615–1868), about 1788

Chôbunsai Eishi

A work made of woodblock print; sumizuri-e, oban yoko-e.

A Courtesan with Her Client, the first sheet of an untitled erotic picture album, c. 1673/81

Hishikawa Moronobu

A work made of color woodblock print; oban.

Appearing Again: Naniwaya Okita, from the series “Renowned Beauties Likened to the Six Immortal Poets" ("Komei bijin rokkasen"), c. 1795/96

Kitagawa Utamaro

A work made of color woodblock print; oban.

The Interesting Type (Omoshiroki so), from the series “Ten Types in the Physiognomic Study of Women" ("Fujin sogaku juttai"), c. 1792/93

Kitagawa Utamaro

A work made of color woodblock print; oban.

A Young Girl Offering Tea to Another Woman, c. 1797

Kitagawa Utamaro

A work made of color woodblock print; oban.

Fujimigahara in Owari Province (Bishu Fujimigahara), from the series "Thirty-six views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; oban, triptych.

Women Washing Clothes, c. 1788

Torii Kiyonaga

A work made of color woodblock print; oban diptych.

Admiring the wisteria at the Kameido Shrine, c. 1786

Torii Kiyonaga

A work made of color woodblock print; oban.

Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96

Kitagawa Utamaro

A work made of silk, rayon, and gold-leaf-over-paper-wrapped rayon, warp-float faced 2:1 'z' twill weave with plain interlacings of supplementary patterning wefts, self-patterning ground wefts, and secondary binding warps; upper cover: cotton, plain weave; glazed.

Woman's Obi (Sash) Fabric, Shôwa period (1926–1989), 1940–58

A work made of silk, rayon, gold-leaf-over-lacquered-paper-strip-wrapped silk and gilt-metal foil on paper-strip-wrapped rayon, warp-float faced 2:1 's' twill weave with plain interlacings of secondary binding warps and supplementary patterning and brocading wefts.

Woman's Obi (Sash) Fabric, Taishô period (1912–1926) / Shôwa period (1926–1989), first half of the 20th century

A work made of printed book with two-color printed dust jacket.

Sirenin ocas (Siren's Tail), 1937

Ladislav Sutnar

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