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A work made of pen and brown ink, with brush and brown wash, heightened with gold paint, over black chalk, on brown laid paper, squared in black chalk, laid down on board.

Descent of the Holy Spirit, after 1607/08

Guido Reni

A work made of pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, laid down on ivory laid paper.

Time Revealing Beauty, n.d.

Nicolas Pierre Loir

A work made of linen, plain weave; embroidered with linen yarns; pulled threadwork, embroidered in antwerp edge, crossed back, four-sided, greek cross filling, interlocking lace, running, satin, and single faggot stitches.

Border (From a Cover), Probably 1675/1700

A work made of gelatin silver print.

Henri Cartier-Bresson, 1935, printed 1959

George Platt Lynes

A work made of wool, plain weave; embroidered with wool and cotton and hemp in buttonhole, cable chain, chain, open chain, detached chain, double feather, feather, herringbone, interlaced back, ladder, long-armed cross, running, single surface satin, simple looping, raised stem and van dyke stitches; couching.

Zodiac, 1948

Mariska Karasz

A work made of polyester and cotton, plain weave; "burn-out" cloth; screen printed.

Spirit (Furnishing Fabric), 1991

Création Baumann

A work made of cotton, plain weave; block printed.

Panel, c. 1900

A work made of rayon, satin weave; screen printed.

Palladio (Furnishing Fabric), 1955/59

Paul Gell

A work made of cotton, plain weave; engraved roller printed.

Les Monuments de Paris (The Monuments of Paris) (Furnishing Fabric), 1816/18

Hippolyte Lebas

A work made of cotton, plain weave; screen printed.

Design Classic (Furnishing Fabric), 1950s

Puritan Co.

A work made of cotton, plain weave; engraved roller printed; backed with cotton, twill weave; stamped.

Pillow Cover (Furnishing Fabric), 1876/80

A work made of cotton, warp-float faced satin weave; screen printed.

Meandering Dream (Furnishing Fabric), 1980

Betty Woodman

A work made of pen and gray ink, with brush and gray wash, on buff laid paper, laid down on ivory laid paper.

Mercury and Mars, n.d.

Marco Marcola

A work made of goat hair and cotton, weft-float faced satin weave; appliquéd in cotton, plain weave; embroidered with linen, sisal, wool, silk, cotton, nylon, rayon, and cellulose in buttonhole, long-armed cross and open cretan stitches; couching.

Chinois, 1953

Mariska Karasz

A work made of cotton, plain weave; screen printed.

Cotswold (Furnishing Fabric), c. 1950

John Piper

A work made of cotton and wool, satin weave; block printed; attached wool, knotted fringe.

Square Shawl, 1860/70

A work made of silk, warp printed; plain weave (chiné imprimé); three loom widths pieced horizontally.

Lilium (Furnishing Fabric), 1985

Jack Lenor Larsen Inc.

A work made of linen, plain weave; applied gold leaf, mexican hand-made paper (amate) and zacate root; embroidered with bast fibers (ixtle) and cotton.

Viento y Sol (Wind and Sun), 1987

Evelyn Svec Ward

A work made of linen, plain weave; applied mexican hand- made paper (amate); laid palm fibers couched with cotton.

Mixteca Series #1, 1982

Evelyn Svec Ward

A work made of silk, plain weave; appliquéd with cotton, rayon, silk, wool, and metal foil laminated in cellulose acetate film, plain weave with supplementary patterning wefts; cotton, rayon and silk, twill and plain weaves; embroidered with silk, linen, wool, cotton, jute, rayon and cellulose acetate in buttonhole, coral, zig-zag coral, feather, long-armed cross, open chain and stem stitches; laid work and couching.

Cactus, 1958

Mariska Karasz

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