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A work made of cotton, plain weave; copperplate printed.

Tenian (Furnishing Fabric), c. 1785

Bromley Hall

A work made of cotton, plain weave; block printed; glazed.

Bedcover, c. 1804/05

Bannister Hall Print Works

A work made of mixed lace of cotton, bobbin tape lace and linen, needle lace fillings.

Jabot and Three Border Fragments, 1876/78

A work made of silk, machine-made net; embroidered with silk in darning and running stitches; edged with cotton, machine-made picots.

Bonnet Veil, c. 1835

Sara Ann Reno

A work made of linen, needle lace; embellished with glass beads; edged with bobbin straight lace.

Insertion (For a Cover), c. 1620/40

A work made of cotton, machine-made lace: twist net; machine embroidered laid work and couching.

Panel (Curtain Fabric), 1920s

Josef Hillerbrand

A work made of cotton, machine-made lace: twist net; machine embroidered laid work and couching.

Panel (Curtain Fabric), Mid–1920s

Tommi Parzinger

A work made of silk and mohair, produced on a pusher lace machine.

Half Shawl, 1860s

A work made of cotton, mixed lace of needle lace and bobbin part lace of a type known as "duchesse".

Bertha, 1895/1905

A work made of linen and horsehair, needle lace of a type known as "point d'argentan" with whipped mesh ground.

Border, 1775/1825

A work made of linen, needle lace of a type known as "point d'alençon".

Panel, 1801/50

A work made of cotton, machine-made lace: twist net; machine embroidered laid work and couching.

Panel (Curtain Fabric), 1920s

Heinrich Sattler

A work made of graphite on cream wove paper.

Mme Hessel, Chateau de Clayes, c. 1920

Édouard Jean Vuillard

A work made of gouache and pen and black ink, with touches of blue watercolor and traces of graphite, on cream wove paper.

Untitled, 1937

Yves Tanguy

A work made of brush and black ink and gray wash on cream wove paper.

The Grave Digger, 1926/28

José Clemente Orozco

A work made of pen and brown ink, with brush and gray wash, over red and black chalk and traces of graphite, on tan laid paper.

Lot and His Daughters, 17th century

Follower of Charles Le Brun

A work made of pen and brown ink and iron gall ink, with gray wash, on ivory laid paper, laid down on buff laid paper.

Virgin and Child with Saints Jerome and Catherine, n.d.

Pietro Faccini

A work made of red chalk, transfered onto cream laid paper, laid down on tan laid paper with blue fibers.

Miracle of Bishop Saint, n.d.

Pietro Santi

A work made of linen, needle lace.

Flounce (Incomplete), 1760s

A work made of black chalk on tan laid paper, laid down on ivory laid paper.

A Bishop Carrying a Reliquary with a Skull and Study of Two Hands Holding a Reliquary of a Female Saint, n.d.

School of Eustache Le Sueur

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