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A work made of color woodblock print; oban.

The Country Samurai Sachuta and Odan, 1854

Utagawa Kunisada I (Toyokuni III)

A work made of engraving on paper.

Portrait of Philibert Orrey, 1737

François Bernard Lépicié

A work made of silk, satin damask weave.

Panel, 16th/17th century

A work made of simple satin damask.

Fragment, Late 15th century

A work made of silk, brocaded in silk and metal thread.

17 Fragments, 18th century

A work made of cisele voided satin velvet.

Fragment, Mid–16th century

A work made of etching on paper.

Portrait of a Woman, n.d.

Karl Koepping

A work made of silk, brocade plain compound cloth.

Fragment, 1625/75

A work made of silk, fancy simple satin weave.

Fragment, 16th century

A work made of silk, plain compound cloth.

Fragment, 1650/1700

A work made of plain compound cloth.

Fragment, 1625/75

A work made of brocaded damask, satin.

Panel, Late 16th century

A work made of cisele voided cloth velvet.

Fragment, Early 17th century

A work made of silk, brocaded plain compound cloth.

Fragment, 18th/19th century

A work made of silk, simple fancy satin.

Fragment, Late 17th century

A work made of silk, plain compound cloth.

Fragment, 1650 / 1700

A work made of silk, plain compound satin.

Fragment, Mid–17th century

A work made of aquatint on paper.

Saint Albans Steeplechase, 1837

Reeves

A work made of velvet.

Fragment, 17th century

A work made of cisele voided satin velvet.

Fragment, 1600/25

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