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A work made of oil on canvas.

View of Delphi with a Procession, 1673

Claude Lorrain

A work made of etching on ivory laid paper.

The Roman Forum, 1636

Claude Lorrain

A work made of etching in black on ivory laid paper.

Scene of Brigands, 1633

Claude Lorrain

A work made of etching on ivory laid paper.

The Herd Returning in Stormy Weather, 1651

Claude Lorrain

A work made of etching on ivory laid paper.

The Cowherd, 1636

Claude Lorrain

A work made of etching on ivory laid paper.

The Country Dance, c. 1637

Claude Lorrain

A work made of etching on ivory laid paper.

The Dance on the River Bank, c. 1634

Claude Lorrain

A work made of etching on ivory laid paper.

The Four Goats, 1630/33

Claude Lorrain

A work made of etching on ivory laid paper.

The Ford, 1634

Claude Lorrain

A work made of etching on ivory laid paper.

The Cowherd, 1636

Claude Lorrain

A work made of pen and brown ink, with brush and brown wash, and lead white (discolored), on buff laid paper.

Study for Pilgrims at Emmaus, c. 1652

Claude Lorrain

Painting of a rounded shiny black rock set on a pale tree stump, surrounded by a bright blue sky with clouds.

Black Rock with Blue Sky and White Clouds, 1972

Georgia O'Keeffe

A work made of oil on canvas.

Syrian Goats, 1905

John Singer Sargent

A work made of charcoal on cream laid paper.

Harriett Pullman Carolan, 1911

John Singer Sargent

A work made of oil on canvas.

Under the Cypress Trees at Corfu, 1909

John Singer Sargent

A work made of watercolor on ivory wove paper.

Girl in Spanish Costume, 1879/80

John Singer Sargent

A work made of black conté crayon, black chalk, and charcoal, with stumping and erasing, on cream laid paper.

Academic Male Nude, 1877

Georges Seurat

The Distant Inclemencies (L’Inclémence Lointaine)

The Distant Inclemencies (L’Inclémence Lointaine), 1961

Maria Helena Vieira da Silva

A work made of watercolor and opaque watercolor with wax resist and scraping on ivory wove paper.

The Terrace, Vizcaya, 1917

John Singer Sargent

A work made of watercolor with touches of opaque watercolor and wax resist over graphite on ivory wove paper.

The Basin, Vizcaya, 1917

John Singer Sargent

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