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A work made of lithograph in black on cream wove paper.

L'Epicerie, Rue Galande, Paris, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of lithograph in black on cream wove paper.

Passy Ancien et Nouveau, Paris, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of lithograph in black on cream wove paper.

La Maison du Saumon, Chartres, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of lithograph in black on cream wove paper.

Rue de l'Abbaye, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of lithograph in black on cream wove paper.

Le Vase du Pantheon, Paris, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of lithograph in black on cream wove paper.

Rue Saint-Séverin, Paris, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of lithograph in black on cream wove paper.

Cour du Dragon, Paris, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of lithograph in black on cream wove paper.

Porte Saint Martin, Paris, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of pen and ink on paper.

Ariel, n.d.

John Francis Renault

A work made of red velvet embroidered in gold.

Headdress, 19th century

A work made of lithograph in black on cream wove paper.

Un Portail de l'Eglise de Saint Etienne du Mont , Paris, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of lithograph in black on cream wove paper.

Rue du Dragon, Paris, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of lithograph in black on cream wove paper.

Fontaine de la Grosse Horlage, Rouen, from Vingt Lithographies du Vieux Paris, 1924

Samuel Chamberlain

A work made of painted silk mount and decorated with spangles; ivory sticks and guards encrusted with gold and silver; small mirrors in guards; blue stone rivet.

Fan, 18th century, Louis XVI period (1774–1793)

A work made of black chantilly lace over white surah; lined with thin black silk; straight ivory handle carved with design of grapes and leaves. steel frame, tubing enameled black; modern fastening.

Parasol, c.1870

A work made of cotton, bobbin straight lace of a type known as "valenciennes" with a square valenciennes mesh ground.

Seven Borders, 1850/75

A work made of color woodblock print; oban.

Togetsu Bridge at Arashiyama in Yamashiro Province (Yamashiro Arashiyama no Togetsukyo), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)", c. 1833/34

Katsushika Hokusai

A work made of color woodblock print; double-page illustration from book.

The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)", 1784

Kitao Masanobu

A work made of sketchbook.

Figures, n.d.

Charles George Lewis

A work made of sketchbook.

Figures, n.d.

Charles George Lewis

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