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A work made of cotton, plain weave with supplementary, discontinuous pile warps forming cut, voided 'velvet'; edged with wook in knotted, cut fringe.

Table Cover, 1890s

A work made of design embroidered in chain stitch in white on shawl material.

Cap, 19th century

A work made of cotton, plain weave; embroidered with cotton.

Collar, 19th century

A work made of wool, slit tapestry weave (kilim); main warp fringe.

Carpet, c. 1900

A work made of leather, silk, satin weave, with needlework.

Pair of Shoes, 1870s

A work made of linen, plain weave; embroidered.

Cap, 19th century

A work.

Fragment

A work made of outer panels: cotton, warp-faced, weft-ribbed plain weave with supplementary patterning wefts; embellished with discontinuous supplementary wrapping elements; ends embroidered with cotton and wool in buttonhole stitches; couching; center panel: cotton and silk, warp-faced, weft-ribbed plain weave with supplementary patterning and brocading wefts; seam embroidered with cotton and wool in scroll stitches; couching.

Man's Loin Cloth (pa deri), 1920/45

Mru Chin

A work made of silk, warp-float faced satin weave with two color supplementary pile warps forming cut and uncut, voided velvet.

Panel, c. 1630

A work made of slit tapestry and plain cloth. applied paint gold colored border.

Fragment, A.D. 700/900

Nasca

A work made of cotton, plain weave; engraved roller printed.

The Story of Joseph (Furnishing Fabric), c. 1820

François Pieters

A work made of linen, knitted with attached glass beads and beaded fringe; metal handle and chain; lining: silk, plain weave.

Bag, 1875/1900

A work made of brocaded plain simple cloth, silk and gold wound on a yellow silk core.

Fragment (Dress Fabric), 18th century

A work made of painted and lacquered ivory brisée fan with mother-of-pearl insets.

Fan (Vernis Martin Type), Louis XV period (1715–1774), 1725–1774

A work made of paper.

Waistcoat Design, 1830s/40s

A work made of wool, tied and free plain weave double cloth; woven on a loom with a jacquard attachment.

Carpet Strip, 1870/1900

A work.

Handkerchief, 1801/25

A work made of silk and gilt-metal-strip-wrapped silk, 4:1 satin weave with supplementary brocading wefts bound in 4:1 twill interlacings and self-patterned by reversing of faces.

Three Panels, 1712/13

A work made of cotton, plain weave with patterning and brocading wefts.

Cap, 1900/50

Maya

A work made of linen and cotton, plain weave; copperplate printed.

America Presenting at the Altar of Liberty Medallions of her Illustrious Sons (Furnishing Fabric), c. 1785

Pierre Eugene du Simitiere

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