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A work made of etching in black on off-white laid paper.

The Approach to Tetuan, 1913

James McBey

A work made of etching with drypoint in black on off-white laid paper.

Alcantara Bridge, Toledo, 1911

James McBey

A work made of etching in black on cream laid paper.

The Isle of Ely, 1915

James McBey

A work made of engraving on ivory laid paper.

The Tournament, 1500

Master MZ

A work made of drypoint in black on ivory laid paper.

A Deserted Oasis, 1919

James McBey

A work made of silk, plain weave; embroidered.

Coat, 1901/25

A work made of graphite on ivory wove paper.

Funeral of the Virgin, n.d.

Peter Cornelius

A work made of charcoal, with erasing, on off-white laid paper.

Church Façade, n.d.

Piet Mondrian

A work made of etching in black on cream wove paper.

The Crucifix, Boulogne, 1916

James McBey

A work made of pen and brown ink, with brush and brown-gray wash, over traces of black chalk, on paper.

God the Father Supported by Angels in Clouds, II, c. 1759

Giovanni Domenico Tiepolo

A work made of pen and brown ink, and brush and brown and gray washes, with traces of red chalk, over traces of black chalk, on ivory laid paper.

God the Father Supported by Angels in the Clouds, I, c. 1759

Giovanni Domenico Tiepolo

A work made of etching in black on ivory laid paper.

Edam, 1910

James McBey

A work made of etching in black on cream laid paper.

The Desert of Sinai (No. 2), 1919

James McBey

A work made of graphite on dark tan tracing paper, laid down on white wove paper, laid down on ivory wove board.

Raymond Duchamp-Villon, 1910

Jacques Villon

A work made of etching in sepia on ivory laid paper.

The Advance on Jerusalem - Wadi Ali, 1920

James McBey

A work made of red chalk on ivory wood pulp laminate board.

Study of Sleeping Woman Seen from Behind for Sleep, Central Park, c. 1922

Leon Kroll

A work made of etching on white wove paper.

My First Etching: Self-Portrait, 1964

Jack Beal

A work made of etching in black on cream laid paper.

Gunsmiths, Tetuan, 1912

James McBey

A work made of etching and drypoint on cream laid paper.

Without a Dowry, 1885

James Tissot

A work made of hand-colored mezzotint on ivory laid paper.

Dulce Domum, or the Return from School, published December 1, 1790

John Jones

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