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A work made of album leaf; ink and color on paper.

Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374), Cao Zhibo (1272-1355), Ming dynasty (1368–1644), dated 1642

Lan Ying

A work made of album leaves; ink and color on paper.

Album of Landscapes and Calligraphy for Liu Songfu, Qing dynasty (1644–1911), 1895/96

Xugu

A work made of album leaf; ink and color on paper.

Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374), Ming dynasty (1368–1644), dated 1642

Lan Ying

A work made of album leaf; ink and color on paper.

Landscape in the Style of Ancient Masters: Songxuezhai Lan Ying, Ming dynasty (1368–1644), dated 1642

Lan Ying

A work made of painted wood and leather upholstery.

Armchair, 1928–29

Kem Weber

A work made of painted wood, silver leaf, and walnut.

Serving Table, 1928–29

Kem Weber

A work made of color woodblock prints; oban triptych.

May: Shoki the Demon Queller Riding on a Tiger, Subjugating Goblins, from the series "Of the Twelve Months: the Fifth (Junikagetsu no uchi: gogatsu)", 1887

Kawanabe Kyôsai

A work made of oil and graphite on canvas.

Spring, 1921

Charles Demuth

A work made of oil on canvas.

Entrance to the Port of Honfleur, 1863–64

Johan Barthold Jongkind

A work made of wool, plain weave with supplementary wefts forming cut pile through a technique known as "spanish knots".

Carpet, Before 1473

A work made of cut, woven, and scored white wove paper with graphite and sprayed and diluted inks.

Untitled, 1978

Sarah Anne Canright

A work made of cut, woven, and scored white wove paper with graphite and sprayed and diluted inks.

Untitled, 1977

Sarah Anne Canright

Untitled

Untitled, c. 1972

Sarah Anne Canright

A work made of lithograph on cream chine, laid down on ivory wove paper (chine collé).

An Unhappy Family, published March 10, 1822

Pierre Paul Prud'hon

A work made of paper mache, plaster, and wood.

Untitled, 1988

John Miller

A work made of urethane foam and cord.

Untitled, 1966

John Angus Chamberlain

A work made of linen, leather, animal hide, woven cotton, copper, steel cable, paint, and pencil on polyvinyl chloride (pvc) tube.

Linen on Polyvinyl Chloride, 1993

Jimmie Durham

A work made of album of 25 leaves; ink and light color on paper.

Calligraphy Accompanying Xugu's Painting, Qing dynasty (1644–1911), 1897

Xugu

A work made of album of 25 leaves; ink and light color on paper.

Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)Suggested Amendments to album title by Jacqueline Chao, 2013:Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006), Qing dynasty (1644–1911), 1896

Xugu

A work made of album of 25 leaves; ink and light color on paper.

Calligraphy Accompanying Xugu's Painting, Qing dynasty (1644–1911), 1897

Xugu

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