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A work made of watercolor, with graphite, on white wove paper.

The Conservatory, 1925

Paul Nash

A work made of watercolor and pastel on ivory wove paper.

Composition in Green, 1953

Norman Lewis

A work made of woodcut on cream japanese paper.

The Shepherdess, 1863

Jean François Millet

A work made of acrylic paint on frosted mylar.

Untitled, n.d.

Robert Natkin

A work made of red chalk on tan wove paper.

Rodin, c. 1906

William Rothenstein

Drawing of a doll in a dress with a decorative belt, her hair pulled up with a distinctive topknot-like hat on her head.

Third Doll, 1960

Ellen Lanyon

A work made of lithograph in black on cream wove paper.

Cuirassier on Foot Restraining His Rearing Horse, 1817–36

Carle Vernet

A work made of pastel on brown wove paper.

Ute Dance at Tesuque, 1917–19

William Penhallow Henderson

A work made of stipple engraving on buff laid paper.

Lady Vaux, March 25, 1793

Francesco Bartolozzi

A work made of stipple engraving on buff wove paper.

Lady Meutas, August 12, 1795

Francesco Bartolozzi

A work made of etching, engraving and drypoint on ivory chine, laid down on white wove paper.

Frontispiece, from Othello, 1844, printed 1900

Théodore Chassériau

A work made of drypoint and etching on ivory laid paper.

Portrait of Eugène Duchamp, 1913

Jacques Villon

A work made of etching, engraving, roulette and drypoint on ivory chine, laid down on white wove paper.

O My Fair Warrior!, plate 5 (act 2, scene 1) from Othello, 1844, printed 1900

Théodore Chassériau

A work made of etching, engraving, roulette and drypoint on ivory chine, laid down on white wove paper.

Honest Iago, Desdemona Must I Leave to Thee, plate 4 (act 1, scene 3), from Othello, 1844, printed 1900

Théodore Chassériau

A work made of etching, engraving and drypoint on ivory china paper, laid down on white wove paper.

She Lov’d Me for the Dangers I Had Pass’d, plate 3 (act 1, scene 3) from Othello,, 1844, printed 1900

Théodore Chassériau

A work made of etching, engraving, roulette and drypoint on ivory chine, laid down on white wove paper.

She Thank’d Me, plate 2 (act 1, scene 3), from Othello, 1844, printed 1900

Théodore Chassériau

A work made of etching, engraving and drypoint on ivory china paper, laid down on white wove paper.

Owake! What Ho! Brabantio!plate 1 (act 1, scene 1) from Othello, 1844, printed 1900

Théodore Chassériau

A work made of watercolor, gold leaf, and brush and black ink, with pen and black ink, over graphite on beige japanese paper, prepared with a black gouache ground.

Nativity, n.d.

Tsugouharu Foujita

A work made of etching and aquatint on wove paper.

Les Courses du Matin ou La Porte d'un Riche (The Morning Courses or At the Door of a Wealthy Home from Moers et Ridicules), 1805

Philibert Louis Debucourt

A work made of etching and drypoint on ivory laid paper.

The Boat Towers, 1930

Jacques Villon

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