Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wood engraving on paper.

1860-1870, published January 8, 1870

Winslow Homer

A work made of wood engraving on paper.

Our Women in the War, published September 6, 1862

Winslow Homer

A work made of wood engraving on paper.

What Shall We Do Next?, published July 31, 1869

Winslow Homer

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting and scraping, over graphite, on thick, rough twill-textured, ivory wove paper.

Schooner - Nassau, 1898/99

Winslow Homer

A work made of tint lithograph on heavy ivory wove paper, folded.

Campaign Sketches: Coffee Call, 1863

Winslow Homer

A work made of color lithograph on tan wove paper (folded).

Campaign Sketches: Part I - Cover, 1863

Winslow Homer

A work made of tint lithograph on heavy ivory wove paper.

Campaign Sketches: The Baggage Train, 1863

Winslow Homer

A work made of tint lithograph on heavy ivory wove paper.

Campaign Sketches: The Letter for Home, 1863

Winslow Homer

A work made of tint lithograph on heavy ivory wove paper.

Campaign Sketches: Foraging, 1863

Winslow Homer

A work made of tint lithograph on heavy ivory wove paper.

Campaign Sketches: A Pass Time - Cavalry Rest, 1863

Winslow Homer

A work made of tint lithograph on heavy ivory wove paper.

Campaign Sketches: Our Jolly Cook, 1863

Winslow Homer

A work made of tint lithograph on cream wove paper.

Minnie Clyde, 1857

Winslow Homer

A work made of watercolor, with rewetting, blotting and scraping, over graphite, on thick, moderately textured, ivory wove paper.

North Woods Club, Adirondacks (The Interrupted Tete-a-Tete), 1892

Winslow Homer

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, moderately-textured, ivory wove paper (left and lower edges trimmed).

The Return, Tynemouth (recto) Study (verso), 1881

Winslow Homer

A work made of transparent and opaque watercolor, with traces of scraping, over graphite, on thick, moderately textured, cream wove paper (top and lower edges trimmed).

The Cock Fight, 1885

Winslow Homer

A work made of transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on thick, rough-textured ivory wove paper (lower edge trimmed).

For to Be a Farmer's Boy, 1887

Winslow Homer

A work made of wood engraving on paper.

Seesaw Gloucester, n.d.

Winslow Homer

A work made of etching on cream laid paper.

The Life Line, n.d.

Winslow Homer

A work made of etching on cream japanese vellum.

Net Menders, n.d.

Winslow Homer

A work made of watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper.

The Water Fan, 1898/99

Winslow Homer

<<<665666667668 >>>