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A work made of watercolor, gold leaf, and brush and black ink, with pen and black ink, over graphite on beige japanese paper, prepared with a black gouache ground.

Nativity, n.d.

Tsugouharu Foujita

A work made of etching and aquatint on wove paper.

Les Courses du Matin ou La Porte d'un Riche (The Morning Courses or At the Door of a Wealthy Home from Moers et Ridicules), 1805

Philibert Louis Debucourt

A work made of etching and drypoint on ivory laid paper.

The Boat Towers, 1930

Jacques Villon

A work made of etching and engraving in black on ivory laid paper.

Plate Five, from Marriage à la Mode, 1745

Simon Francis Ravenet

A work made of etching and engraving in black on ivory laid paper.

Plate Four, from Marriage à la Mode, 1745

Simon Francis Ravenet

A work made of lithograph in black, pink and green on light gray loose chine.

The Concert, plate from La Vie de Chateau, 1926

Marie Laurencin

A work made of stipple engraving on cream wove paper.

Portrait of a Young Man, January 18, 1799

Francesco Bartolozzi

A work made of stipple engraving on cream wove paper.

Lord Clinton, January 24, 1793

Francesco Bartolozzi

A work made of stipple engraving on ivory wove paper.

Sir Gawin Carew, June 7, 1796

Francesco Bartolozzi

A work made of lithograph on ivory china paper.

The Birds and the Cat, n.d.

Marie Laurencin

A work made of lithograph on buff wove paper.

Head of a Young Girl, n.d.

Marie Laurencin

A work made of lithograph in black, with additions of blue, orange, and red pencil, on ivory wove paper.

Self-Portrait, n.d.

Marie Laurencin

A work made of etching with drypoint on ivory laid paper.

Shere Mill Pond, No. II (large plate), 1860

Francis Seymour Haden

A work made of etching with drypoint on cream laid tissue.

A River in Ireland, 1864

Francis Seymour Haden

Colored etching of two curly-haired young women dressed in blush pink and yellow, one with a dark hat and one with a striped scarf, standing and looking at the viewer.

Two Girls, n.d.

Marie Laurencin

A work made of etching and engraving in black on ivory laid paper.

Plate One, from Marriage à la Mode, 1745

Gérard Scotin, II

A work made of etching and drypoint on ivory wove paper.

Three Women, n.d.

Marie Laurencin

A work made of etching and drypoint on cream wove paper.

Pietà, First Plate, May 1910

Jean Louis Forain

A work made of soft ground etching on zinc in brown on cream laid paper.

Evidence at the Hearing, First Plate, 1908

Jean Louis Forain

A work made of lithograph in black and brown on ivory wove paper.

Small Orphan, n.d.

Marie Laurencin

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