Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of black and white chalk on brown wove paper.

Sketches of a Kneeling Man, n.d.

Sir John Edward Poynter

A work made of watercolor over black chalk on cream wove paper.

View from Wilmots Hill, Kent, 1830/1835

Samuel Palmer

A work made of watercolor and gouache with scraping, heightened withgum varnish, on cream wove paper, laid down on tan wove paper.

Coastal View with Shipping, 1864

Edwin Hayes

A work made of watercolor with black pastel on ivory wove paper, partially laid down on ivory wove paper.

View in Wales, n.d.

David Cox, the elder

A work made of pen and brown ink, with brush and gray wash, on cream laid paper.

The Damned in Hell, n.d.

Follower of John Hamilton Mortimer

A work made of graphite on ivory wove paper.

Male Nude, 1885

Sir Edward Burne-Jones

A work made of black crayon, heightened with red and white crayon, on brown wove paper.

Portrait of George IV, n.d.

William Mulready

A work made of watercolor and gouache, with scraping, heightened with varnish, over traces of graphite, on cream wove paper, laid down on green wove paper.

Marine Scene, n.d.

Imitator of Anthony Vandyke Copley Fielding

A work made of signed letter in pen and brown ink, with several sketches in pen and brown ink, and one entire sheet of sketches in graphite and watercolor, signed in pen and black ink, on two sheets of cream wove paper.

Letter: Stop Thief, 1851

George Cruikshank

A work made of pen and brown ink over black chalk (recto), and graphite, with touches of pen and brown ink (verso), on blue laid paper.

Study Sheet with Seated Knight (recto); Standing Male Figure in Medieval Dress (verso), n.d.

A work made of graphite on cream wove paper.

Sheet of Studies: Hands and Group of Oriental Figures, n.d.

George Chinnery

A work made of pen and brown ink with brush and watercolor and gouache, over graphite, on gray wove paper, laid down on board.

Gypsy Caravan on Bridge, c. 1840

William James Muller

A work made of graphite and red chalk, on cream wove paper (discolored from ivory) laid down on ivory.

Study for the Head of the Rescuing Lover in Escape of the Heretic, 1857

Sir John Everett Millais

A work made of watercolor heightened with white gouache and graphite, on tan laid paper.

Rearing Horse, 1817

Edwin Henry Landseer

A work made of watercolor, over traces of graphite, on cream wove paper, laid down on board.

Seated Woman in Black Gown, n.d.

William Henry Hunt

A work made of graphite, with touches of pen and brown ink (recto and verso) on ivory paper.

Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso), 1853

Sir John Everett Millais

A work made of black and white chalk on brown wove paper.

Figure Study, n.d.

Sir John Edward Poynter

A work made of pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove paper, edge-mounted to cream wove paper.

A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso), 1840 (recto); c. 1840 (verso)

Edwin Henry Landseer

A work made of black chalk and watercolor, heightened with white gouache on light blue paper.

Study of a Young Man's Head with Right Arm Outstretched, 1860

Sir John Edward Poynter

A work made of brown and red chalks on buff wove paper, hinged to cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

<<<666667668669 >>>