Curator

  • Art Institute Chicago
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A work made of gelatin silver print.

Untitled, c. 1950

Pim Van Os

A work made of glass.

Tazza, 1918–30

Steuben Division, Corning Glass Works

A work made of gelatin silver print.

Film Movement, Akeley Camera, New York, 1922

Paul Strand

A work made of gelatin silver print.

Aerial Bombs Dropping on Montmedy, 1918

Edward Steichen

A work made of graphite on paper.

Proposed Motor Hotel, Dayton, Ohio, Perspective, c. 1963

Milton Meyer Schwartz

A work made of bronze and nickel.

Abstract Figure, 1921/23

Oskar Schlemmer

A work made of oil on canvas.

Lemons on a Pewter Plate, 1926

Henri Matisse

A work made of oil on canvas.

Woman on Rose Divan, 1921

Henri Matisse

A work made of oil on canvas.

Laurette with a Cup of Coffee, 1916–17

Henri Matisse

A work made of colored pencils and scraping, with graphite, charcoal, conté crayon, and additions in colored chalk and watercolor, selectively fixed, with cut and pasted elements, on 51 sheets of ivory wove paper (discolored to cream), joined, and formerly laid down on canvas.

The Temptation of Saint Anthony, 1887

James Ensor

A work made of etching from a copper plate, on buff laid paper.

The Entry of Christ into Brussels, 1898

James Ensor

A work made of etching on zinc in black on ivory japanese paper.

The Cathedral, 1886

James Ensor

A print in black of a figure rendered in hatched strokes, its neck impossibly long and twisted, with an enormous head, wide eyes, and furry batlike ears.

The Chimera Gazed at all Things with Fear, from Night, 1886

Odilon Redon

A work made of etching with drypoint on zinc in black on cream wove (simili-japan) paper.

Extraordinary Musicians, 1888

James Ensor

A work made of etching on zinc in black on cream japanese paper.

The Infernal Cortege, 1886

James Ensor

A work made of pen and black ink and brush and gray wash, white and blue gouache, on blue laid paper (discolored to light brown), mounted to laid card.

Diana of Ephesus as Allegory of Nature, c. 1680

Joseph Werner

A work made of mezzotint with etching in black on ivory wove paper.

Belshazzar's Feast, from Illustrations of the Bible, 1835

John Martin

A work made of monotype in two tones of blue gray ink on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of monotype in two tones of greenish blue ink on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of color screenprint on paper.

Yours Till the Boys Come Home, plate 43 from Bunk!, 1972

Eduardo Paolozzi

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