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A work made of etching on paper.

Peasant Riding on a Donkey, 1763

Jean Jacques de Boissieu

A work made of etching on paper.

The Wooden Bridge, 1763

Jean Jacques de Boissieu

A work made of etching on ivory wove paper.

Dancer Putting on Her Shoe, c. 1888

Hilaire Germain Edgar Degas

A work made of etching on paper.

The Monk and the Hunter, 1796

Jean Jacques de Boissieu

A work made of color woodblock print; hosoban, benizuri-e.

The Actors Ichimura Uzaemon IX as the footman Gunsuke and Sakata Sajuro I as Yamaga no Sashiro in the play "Iro Jogo Mitsugumi Soga," performed at the Ichimura Theater in the first month, 1765, 1765

Torii Kiyomitsu I

A work made of color woodblock print; hosoban, benizuri-e.

The actor Ichikawa Danjuro IV as Shinozuka Goro Sadatsuna in the play "Ume Momiji Date no Okido," performed at the Ichimura Theater in the eleventh month, 1760, 1760

Torii Kiyonobu II

A work made of etching on paper.

Old Customs House on the Tiber, 1807

Jean Jacques de Boissieu

A work made of drypoint on light gray japanese laid paper.

Portrait of Berthe Morisot, c. 1876

Marcellin Gilbert Desboutin

A work made of etching on paper.

The Little Chapel, 1804

Jean Jacques de Boissieu

A work made of brush and brown ink, over traces of graphite on cream wove paper, discolored to tan.

Horse, n.d.

Jane Poupelet

A work made of drypoint in black on ivory laid paper.

Sunset at Heybridge Basin, 1924

Martin Hardie

A work made of hand-colored woodblock print; oban, beni-e.

Gathering Shellfish at Low Tide at Shinagawa (Shinagawa shiohigari no zu), 1740s

Furuyama Moromasa

A work made of watercolor over traces of graphite, on ivory wove paper.

Birkenhead from Herculaneum Potteries, 1834

Eliot Thomas Yorke

A work made of pen and brown ink and brush and watercolor, with scraping and additions of graphite, on ivory wove paper.

School House at Kings Norton Near Birmingham, 1824

Samuel Austin

A work made of charcoal, with touches of brush and black wash on cream wove paper, discolored to tan.

Sleeping Cat, n.d.

Jane Poupelet

A work made of etching, drypoint and plate tone on cream laid paper.

Portrait of a Woman, n.d.

Paul-César Helleu

A work made of pineapple fiber, plain weave (pina cloth), cut and drawnwork embroidered with cotton in cloth, cross, darned points, darned squares, darned wheels, darning, interlocking, overcast, roman, single faggot, tulle, and twined double running stitches; embroidered with cotton in overcast, raised stem, satin, and twinwed double running stitches; couching; edged with cotton, needle-made edging.

Shawl, c. 1840/50

A work made of brush and brown ink, over traces of graphite on cream wove paper, discolored to tan.

Seated Female Nude, Seen from Behind, n.d.

Jane Poupelet

A work made of pineapple fiber, plain weave (pina cloth); cut and drawnwork embroidered with silk and cotton in cross, darned squared, darned wheels, interlocking, satin, and single faggot stitches; embroidered with cotton in the back, buttonhole, padded satin, and twined double running stitches.

Handkerchief, c. 1840

A work made of silk, satin weave; embroidered with silk and silk chenille yarns in satin, single satin, split, and stem stitches; couching; painted; lined and edged with linen, plain weave.

The Harp that Once through Tara's Halls, 1827

Mary R. Glenn

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