Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A colored print of two women in dresses, one with a child, with bus windows revealing a bridge behind them.

In the Omnibus, 1890–91

Mary Cassatt

Demolition–Butte des Moulin

Demolition–Butte des Moulin, c. 1876

Paul Renouard

A work made of tin-glazed earthenware (faience).

Teapot in the form of a Rooster, Early 18th century

A work made of tin-glazed earthenware and polychrome enamels.

Plaque: The Geese of Brother Phillippe (Les Oies du Frere Philippe), c. 1750

Künersberg Faience Manufactory

A work made of color aquatint and drypoint, with softground, on ivory laid paper.

The Lamp, 1890–91

Mary Cassatt

A work made of color aquatint with burnishing, drypoint, and softground, on ivory laid paper.

The Bath, 1890–91

Mary Cassatt

A work made of linen and wool, plain weave with supplementary wrapping wefts forming uncut loop pile and insets of slit and dovetailed tapestry weave with eccentric and supplementary wrapping weft details.

Fragment, 5th-6th century

A work made of tin-glazed earthenware (faience) and pewter.

Tankard, 1730/50

A work made of tin-glazed earthenware (faience).

Pharmacy Jug, c. 1650

A work made of tin-glazed earthenware (faience) and pewter.

Tankard, 18th century

A work made of tin-glazed earthenware (faience) and pewter.

Tankard, c. 1777

A work made of tin-glazed earthenware (faience) and pewter.

Wine Jug, c. 1800

A work made of tin-glazed earthenware (faience) and pewter.

Wine Jug, c. 1800

A work made of tin-glazed earthenware (faience) and pewter.

Tankard, 1786

Earthenware wine jug covered with a pewter lid and decorated with colorful landscape scene with figures and inscription.

Wine Jug, 1800/25

A work made of tin-glazed earthenware (faience) and pewter.

Jug, c. 1720

Earthenware wine jug decorated with green drips and covered with a pewter lid.

Wine Jug, 1700/25

A work made of pen and brown ink, over black chalk, on ivory laid paper, laid down on pale green laid paper.

Rural Crossroads, with Farm Buildings in Foreground, 1734

Carlo Antonio Tavella

A work made of pen and brown ink, with brush and brown wash, over red chalk, on ivory laid paper, laid down on tan wove paper.

Salome with the Head of Saint John the Baptist Before Herod, 1695/1741

Giovanni Antonio Pellegrini

A work made of black chalk, heightened with white chalk, on gray-brown paper.

Triumph of Neptune and Amphitrite, 1706–07

Louis de Boullongne, the younger

<<<580581582583 >>>