Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color hard and soft ground etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled, 2001

Martin Puryear

A work made of soft ground etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Loop, 2002

Martin Puryear

A work made of hard and soft ground etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Jug, 2001

Martin Puryear

A work made of color aquatint and etching from two plates on cream japanese paper, laid down on white wove paper (chine collé).

Black Cart, 2008

Martin Puryear

A work made of drypoint, with soft ground etching on cream japanese paper, laid down on white wove paper (chine collé).

Shoulders (State 2), 2005

Martin Puryear

A work made of engraving in black and yellowish brown, with hand additions in red gouache on cream, silk satin weave, folded.

The Holy Shroud of Besançon, 1634

Jean De Loisy

A work made of pen and brush and black ink, over graphite and erasing, ruled in graphite, on ivory wove paper.

Bombing, China, 1945

Saul Steinberg

A work made of collage of cut-and-pasted commercially printed papers, and pen and black ink, over graphite with erasing, ruled in graphite, on ivory wove paper.

Downtown Building, 1952

Saul Steinberg

A work made of pen and black ink, ruled in graphite, on cream wove paper.

Untitled (People Looking Up), 1949

Saul Steinberg

A work made of mezzotint, with burnishing and engraving, in black on pale pink satin.

Thesis-Sheet showing Saint Ignatius of Loyola, November 15, 1696

Christoph Elias Heiss

A work made of collage of cut-and-pasted paper, with pen and black ink, black crayon, graphite, watercolor, colored pencil, and rubber stamps in black ink, on ivory wove paper.

Utopia, 1974

Saul Steinberg

A work made of pen and black ink, with colored pencil, crayon, watercolor, graphite and ballpoint pen in red and black, ruled in graphite, on off-white wove paper, folded.

Untitled (Paris/Sardinia), 1963

Saul Steinberg

A work made of graphite and watercolor, with touches of brush and blue ink and traces of silver ink, on wove graph paper.

The Black Interior, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of graphite and watercolor, with brush and colored inks and traces of glitter glue, on wove graph paper.

The Fire Next Time, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of brush and black and colored inks with touches of brush and silver ink on wove graph paper.

Luz en lo Oscuro, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of graphite and brush and black and colored inks with touches of brush and silver ink on wove graph paper.

The New Jim Crow, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of graphite, with brush and orange, yellow and silver inks, on wove graph pape.

Blacks, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of graphite and watercolor with touches of opaque watercolor on wove graph paper.

Camera Lucida, from Human_3.0 Reading List, 2015

Cauleen Smith

A drawing on graph paper of a book cover featuring a dark-skinned woman in profile, the back of her head composed of portions of many African animals, including a bird and a cheetah. The illustration reads, "Octavia E. Butler" and "Wild Seed" in red capital letters against a yellow background.

Wild Seed, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of graphite with red watercolor and blue watercolor with glitter glue on wove graph paper.

Gender Trouble, from Human_3.0 Reading List, 2015

Cauleen Smith

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