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A work made of color lithograph on ivory japanese paper.

Ding Dong Daddy Love Squares with Warts, 1968–69

William Aubrey Walmsley

A work made of lithograph on tan japanese paper, laid down on white wove paper (chine collé).

Hommage to Allan Ginsburg, 1998

William T. Wiley

A work made of woodcut from four blocks on ivory laid paper.

The Large Village Fair, 1535

Hans Sebald Beham

A work made of color screenprint on cream wove paper.

Vendor, 1979

Robert Gwathmey

Screenprint of what appears to be a family walking in front of a group of construction workers building a wall. The figures all have dark-brown skin except for one construction worker with white skin. In the family group, a man and a woman hold hands with each other and two small children. The woman and the girl wear yellow dresses and red hats; the boy wears a blue shirt; the man wears a suit and a yellow hat. The workers in the background wear blue.

The Builders, 1974

Jacob Lawrence

In this screenprint, a large crowd of dark-brown-skinned figures dressed in bright yellow, red, blue, and green clothing are crossing a bridge. All of the people recoil in fear as a menacing wolf-like animal approaches them from the other side of the bridge.

Confrontation at the Bridge, 1975

Jacob Lawrence

A work made of watercolor, gouache, and brush and black ink, with scraping, on cream wove paper.

Study for A Reasonable Facsimile, 1942

Arthur Dove

A work made of black chalk with brush and black ink and brown wash, heightened with white gouache, on ivory laid paper prepared with a gray wash.

Fingal Mourning Over the Body of Malvina, from Ossian's Berrathon, c. 1810

Anne-Louis Girodet de Roussy-Trioson

A work made of red and white chalk on brown laid paper, laid down on cream laid paper, with a blue laid paper border.

The Hind Legs of a Horse, n.d.

Charles Le Brun

A work made of lithograph on cream wove paper.

The Bricklayer and His Son, 1945/46, printed 1970

Pablo O'Higgins

A work made of pen and black ink, non-photo blue pencil, white correcting fluid and letraset tapes on ivory card, with overlay in brush and red ink on tracing paper.

Untitled, left side, n.d.

Sergio Aragones

A work made of pen and black ink with brush and gray wash, ink and white gouache, with touches of non-photo blue pencil, on cream wove card.

He Goes On Record, from Peter Public, 1925

Clifford Alexander

A work made of pen and black ink, non-photo blue pencil, white correcting fluid and letraset tapes on ivory card, with overlay in brush and red ink on tracing paper.

Untitled, right side, n.d.

Sergio Aragones

A work made of pen and black ink and watercolor on white wove card with tracing paper overlay.

“He's hardly how I imagined him,” from Bigfoot, c. 1981

Nick Downes

A work made of pen and black ink and watercolor on white wove card with tracing paper overlay.

"I've been putting up with their insinuations that I'm a lousy math teacher for this many years!", from Mathematics Dept., c. 1989

Nick Downes

A work made of pen and black ink, non-photo blue pencil and black fiber-tipped pen, on white wove paper.

If There are Any Fish There, Ol Joe Jinks'll Catch 'Em!, from Joe Jinks, 1940

Lynn Jenkins

A work made of pen and brush and black ink, and colored crayons, with self-adhesive toning film, on cream wove card.

Untitled, 1956

Dorothy Bond

A work made of pen and black ink, and graphite on cream wove paper (substrate is made of at least three sheets layered together); graphite, blue, and red pencil sketches, verso.

Dad, Also, Has an Idea, from Tommy McCraw, 1928

Boody Rogers

A work made of photomechanical engraving plate nailed to wood block.

Line block featuring "Dick Tracy" characters, 1948

Chester Gould

A work made of lithograph on cream japanese paper.

Nude, 1925

Jan Matulka

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