Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of charcoal, with graphite and touches of brush and gray wash, on cream wove paper.

Surrealist Landscape, n.d.

Edward Balchowsky

A work made of pen and black ink, black ballpoint pen, watercolor, and red crayon, on off-white wove paper.

Self-Portrait, July 21, 1998

Thomas Schütte

A work made of watercolor with pen and black ink, over traces of graphite, on off-white wove paper.

Self-Portrait, June 24, 1998

Thomas Schütte

A work made of brush and red and orange watercolor on off-white wove paper.

Western Suburbs, 2003

Leslie Baum

A work made of pen and brush, brown ink and gray gouache (and mixtures thereof), on off-white wove paper.

New Buffalo, MI, 2003

Leslie Baum

A work made of brush, brown ink and gray gouache, on off-white wove paper.

Snow Shrubs, 2004

Leslie Baum

Print in black ink of a black boy sitting on a stool. Behind him looms a skeleton in a white hooded costume holding a noose. The skeleton is held back by a larger-than-life black man in glasses, William Patterson, who reaches in from the right side of the image wearing a banner that reads, "CRC."

Civil Rights Congress, 1949

Elizabeth Catlett

A work made of marble with carved decoration.

Tombstone in the Shape of a Prayer Niche, Seljuq dynasty (1037–1194), dated 507 AH/1113 CE

Islamic

A work made of black chalk on tan wove tracing paper, laid down on ivory wove paper.

Compositional study for The Sacred Grove, Beloved of the Arts and the Muses, 1883/84

Pierre Puvis de Chavannes

A work made of woodcut in gray, hand-colored with brush, stencil and watercolor on ivory laid paper.

The Arrival in France of Saint Francis of Paola, c. 1495

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras' First Adventure, plate three from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras Sallying Forth, plate two from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Frontispiece, plate one from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras in Tribulation, plate six from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras Vanquished by Trulla, plate five from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras Triumphant, plate four from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge, mounted on cream wove paper.

Hudibras and Sidrophel, plate eight from Hudibras, February 1725/26

William Hogarth

A work made of engraving in black on cream paper edge mounted on cream wove paper.

Hudibras and the Skimmington, plate seven from Hudibras, February 1725/26

William Hogarth

A work made of schist.

Seated Buddha with Hands in Preaching Gesture (dharmachakrapravartanamudra), Kushan period, 2nd/3rd century

A work made of engraving in black on cream laid paper edge mounted on cream wove paper.

Burning the Rumps at Temple Bar, plate eleven from Hudibras, February 1725/26

William Hogarth

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