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A work made of black chalk on cream laid paper.

Stacks of Wheat, 1891

Claude Monet

A work made of graphite on ivory wove paper.

Boy in the Country, 1857

Claude Monet

A work made of black chalk on ivory laid paper.

Cliffs and Sea, Sainte-Adresse, c. 1864

Claude Monet

A work made of transfer zincograph on coarse-grained transfer paper, in dark-blue ink on cream wove paper (an imitation japanese vellum).

Ia orana Maria (Hail Mary), 1894/95, published Mar. 1895

Paul Gauguin

A work made of transfer drawing in brown and black ink (recto) and graphite and red chalk (verso) on cream wove paper trimmed and perimeter mounted on cream laid paper.

Nativity (Mother and Child Surrounded by Five Figures), c. 1902

Paul Gauguin

A work made of black chalk, with touches of watercolor and watercolor offset on cream wove paper.

Two Figures (related to the painting Tahitian Landscape), 1891/93

Paul Gauguin

A work made of black and red chalk, selectively stumped, on cream wove paper.

Head of a Tahitian with Profile of Second Head to His Right, 1891/93

Paul Gauguin

A work made of gauguin monogram and artist's name in latin letters on heavy blue-green wove card.

Cover to Paul Gauguin: 10 Traesnit (Pola Gauguin Portfolio), 1921

Pola Gauguin

A work made of letterpress in black on heavy blue-green wove paper.

Title Page to Paul Gauguin: 10 Traesnit (Pola Gauguin Portfolio), 1921

Pola Gauguin

A work made of watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper.

Pape moe, 1893/94

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1893/94, printed and published in 1921

Paul Gauguin

A work made of wood-block print in black ink on ivory china paper.

Three People, a Mask, a Fox and a Bird, headpiece forLe sourire, 1899, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Mahana atua (Day of the God), 1894/95, printed and published 1921

Paul Gauguin

A work made of watercolor and graphite on irregularly shaped cream wove japanese paper, laid down on ivory laid paper with brown and blue fibers, laid down on cream wove paper.

Seated Tahitian Youth, 1894/1903

Paul Gauguin

A work made of monotype matrix in watercolor and gouache, with brush and green ink, over traces of graphite, on cream japanese paper, laid down on tan wove paper (partially removed).

Two Tahitian Women in a Landscape, c. 1892

Paul Gauguin

A work made of zincograph in black on ivory wove paper (imitation japanese vellum).

Projet d’assiette (Leda) (Design for a Plate [Leda]), frontispiece from the Volpini Suite, 1889, printed after 1911

Paul Gauguin

A work made of wood-block print in black ink, over stenciled dark-red ink and a yellow-ink tone block, on cream wove paper (an imitation japanese vellum).

Auti te pape (Women at the River), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Auti te pape (Women at the River) from the Noa Noa Suite, 1893/94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Nave nave fenua (Delightful Land), from the Noa Noa Suite, 1893/94, printed 1921

Paul Gauguin

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