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A work made of one of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist.

Circus and Slapstick, 1996

Ethel Stein

A work made of one of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist.

Circus and Slapstick, 1996

Ethel Stein

A work made of linen, plain weave; appliqued with linen, plain weaves; embroidered with silk floss in long and short, chain, buttonhole, cretan variation, scroll, ladder, cross, and detached cross stitches; laid work and couching; french knots; lined with linen, plain weave.

Hanging, 1916

Maxwell Ashby Armfield

A work made of linen, plain weave; embroidered with silk in cross, herringbone, stem, satin, and chain stitches; edged with cotton, plain weave.

Sampler, 1765/66

Charlotte Guerin

A work made of two panels: linen, cotton, silk, nylon, polyester, leaf fiber (probably abaca), wool, ramie, synthetic foam, and paper; crochet variations, running stitches and knotting; blocked.

Fields, 2004

Michael Olszewski

A work made of silk and paper, crochet and crochet variations; appliquéd with silk, plain weaves, some printed, dyed, hole-punched, and discharge dyed and appliquéd with silk, ribbon; embroidered with silk; metal wire wrapped with silk; blocked.

The Clearing, 2008

Michael Olszewski

A work made of opaque watercolor (gouache) over graphite with black ink on mold paper.

Point Paper (mise-en-carte), c. 1880

Leblanc (Firm)

A work made of silk, plain weave, pleated; appliquéd with layers of silk, plain weaves, some resist dyed, some printed, some dyed; embroidered with silk; blocked.

Mourning, 1989

Michael Olszewski

A work made of opaque watercolor over graphite on paper.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of opaque watercolor over graphite on paper.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of stencil on japanese paper (probably kozo fiber).

Surcoat or Vest, Late Edo Period (1603–1867)/Early Meiji Period (1868–1912), 19th century

A work made of silk, plain weave, resist-dyed; stencil on japanese paper (probably kozo).

Haori, Meiji Period (1868–1912), Late 19th/early 20th century

A work made of two panels: cotton, satin weave damask; woven on a loom with a drawloom attachment fabricated by the artist.

Whole and Half Moons, 2007

Ethel Stein

A work made of two panels: cotton, satin weave damask; woven on a loom with a drawloom attachment fabricated by the artist.

Whole and Half Moons, 2007

Ethel Stein

A work made of cotton, plain weave; hand-drawn wax resist-dyed.

Batik Panel featuring a Cloud Pattern, Early 20th century

A work made of linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair.

Dispersions (no. 9), 2013

Anne Wilson

A work made of linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair.

Dispersions (no. 22), 2013

Anne Wilson

A work made of linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair.

Dispersions (no. 20), 2013

Anne Wilson

A work made of cotton and wool, composite point twill weave (star work, multiple shaft); two loom widths joined; with attached plain weave strip with weft fringe.

Coverlet, 1820-40

A work made of cotton and wool (camelid), slit tapestry weave with outlining wefts.

Fragment, Possibly 500-600

Nasca

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