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A work made of etching on heavy ivory laid paper.

View of the Remains of the Tomb of the Plautii on the Via Tiburtina, near the Ponte Lugano, two miles distant from Tivoli, from Views of Rome, 1760/69, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Ancient temple commonly called the Temple of Health on the Via d'Albano five miles outside Rome, from Views of Rome, 1763

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Arch of Septimius Severus, from Views of Rome, 1772, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the Basilica of S. Maria Maggiore, from Views of Rome, 1768, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Flavian Amphitheater, called the Colosseum, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the Pantheon, from Views of Rome, 1768, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Remains of the Forum of Nerva, from Views of Rome, 1757

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Remains of the Forum of Nerva, from Views of Rome, 1770

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome, from Views of Rome, 1767, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Bacchus, now the church of S. Urbano, two miles distant from Rome, beyond the Porta S. Sebastiano, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Ponte Salario, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Ponte Molle [or Milvian Bridge] over the Tiber two miles outside Rome, from Views of Rome, 1762

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Interior View of the Temple Which is Believed to Have Been Dedicated to Juno, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Interior view of the so-called College des Anfictions, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Interior view of the remains of one of the pronaoi of the Temple of Neptune which faces inland, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

View of the Remains of the Two Rows of Columns in the Temple of Neptune which [originally] formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Rear view of the remains of the pronaos of the Temple of Neptune, drawn in the two preceding plates, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

View of the Remains of the Cella of the Temple of Neptune, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of St. Peter's Basilica in the Vatican, from Views of Rome, 1748

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the So-Called Tempio della Tosse (Temple of the Cough) on the Via Tiburtina a mile from Tivoli, from Views of Rome, 1763

Giovanni Battista Piranesi

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