Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of beads and wire.

Necklaces (Imankeek), 20th century

Maasai

A work made of silver.

Ear Plugs, 19th-early 20th century

Swahili

A work made of copper alloy.

Scepter, Probably early 20th century

Senufo

A work made of raffia palm fiber, cowrie shells, and glass beads.

Woman's Belt (Ligobi), Probably early 20th century

Nkundo

A work made of copper, wood, and leather.

Short sword and sheath, Probably 19th century

Kru

A work made of lithograph on ivory wove paper.

Stecker's Ol' Man, from the Bad Drawing Series, 1963

William Aubrey Walmsley

A work made of color lithograph on ivory wove paper.

Ding Dong Daddy Walmsley in 9 X 12 Pox Pitstop, 1992

William Aubrey Walmsley

A work made of color lithograph on ivory japanese paper.

Ding Dong Daddy Love Squares with Warts, 1968–69

William Aubrey Walmsley

A work made of lithograph on tan japanese paper, laid down on white wove paper (chine collé).

Hommage to Allan Ginsburg, 1998

William T. Wiley

A work made of woodcut from four blocks on ivory laid paper.

The Large Village Fair, 1535

Hans Sebald Beham

A work made of color screenprint on cream wove paper.

Vendor, 1979

Robert Gwathmey

Screenprint of what appears to be a family walking in front of a group of construction workers building a wall. The figures all have dark-brown skin except for one construction worker with white skin. In the family group, a man and a woman hold hands with each other and two small children. The woman and the girl wear yellow dresses and red hats; the boy wears a blue shirt; the man wears a suit and a yellow hat. The workers in the background wear blue.

The Builders, 1974

Jacob Lawrence

In this screenprint, a large crowd of dark-brown-skinned figures dressed in bright yellow, red, blue, and green clothing are crossing a bridge. All of the people recoil in fear as a menacing wolf-like animal approaches them from the other side of the bridge.

Confrontation at the Bridge, 1975

Jacob Lawrence

A work made of watercolor, gouache, and brush and black ink, with scraping, on cream wove paper.

Study for A Reasonable Facsimile, 1942

Arthur Dove

A work made of black chalk with brush and black ink and brown wash, heightened with white gouache, on ivory laid paper prepared with a gray wash.

Fingal Mourning Over the Body of Malvina, from Ossian's Berrathon, c. 1810

Anne-Louis Girodet de Roussy-Trioson

A work made of red and white chalk on brown laid paper, laid down on cream laid paper, with a blue laid paper border.

The Hind Legs of a Horse, n.d.

Charles Le Brun

A work made of lithograph on cream wove paper.

The Bricklayer and His Son, 1945/46, printed 1970

Pablo O'Higgins

A work made of pen and black ink, non-photo blue pencil, white correcting fluid and letraset tapes on ivory card, with overlay in brush and red ink on tracing paper.

Untitled, left side, n.d.

Sergio Aragones

A work made of pen and black ink with brush and gray wash, ink and white gouache, with touches of non-photo blue pencil, on cream wove card.

He Goes On Record, from Peter Public, 1925

Clifford Alexander

A work made of pen and black ink, non-photo blue pencil, white correcting fluid and letraset tapes on ivory card, with overlay in brush and red ink on tracing paper.

Untitled, right side, n.d.

Sergio Aragones

<<<507508509510 >>>