Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink and brush and gray wash on ivory laid paper.

Study after an Ancient Bas-Relief with Battle of the Amazons, 1774

John Downman

A work made of black chalk with stumping on ivory laid paper.

Study after Ancient Statue of the Sleeping Hermaphrodite, 1774

John Downman

A work made of pen and brown ink and brush and gray wash, over traces of graphite, on ivory laid paper.

Study after Statue of a Seated Woman (Agrippina), 1775

John Downman

A work made of pen and brown ink with graphite on ivory laid paper.

Study after Statue of the Capitoline Venus, 1775

John Downman

A work made of pen and brown ink, over graphite, on ivory laid paper.

Study after Statue of the Capitoline Venus, 1774

John Downman

A work made of graphite and charcoal with stumping on ivory laid paper.

Study after Statue of Venus de' Medici, 1774

John Downman

A work made of charcoal with stumping, heightened with traces of white chalk, on ivory wove paper prepared with a pale blue ground.

Study after Antique Sculpture of the Dancing Satyr with Cymbals, 1775

John Downman

A work made of spray paint on canvas.

67-F 13, 1967

Martin Barré

A work made of charcoal with stumping on ivory laid paper prepared with a pale blue ground.

Study after the statue of the Borghese Gladiator, 1774

John Downman

Dashes of paint of varying colors arranged at random intervals on a cream-colored background covered in evenly spaced lines.

Summer, 1970

Joan Snyder

A work made of black crayon on ivory laid paper prepared with a gray ground.

Study after Roman Statue of a Standing Woman, 1774

John Downman

A work made of graphite on ivory wove paper prepared with a gray ground.

Study after Ancient Statue of Standing Female Figure, c. 1775

John Downman

A work made of pen and brown ink, with traces of graphite, on ivory laid paper.

Study after the figure of Faith, after Raphael, 1774

John Downman

A work made of opaque watercolor over traces of graphite on cream wove paper.

Untitled (Composition), 1933

Bruce Goff

A work made of colored pencil and graphite with touches of opaque watercolor on tracing paper mounted to laminated paperboard.

Chester and Irma Rant House, Northfield, Illinois, Perspective, 1938

Bruce Goff

A work made of charcoal with stumping on ivory laid paper.

Study after Raphael's Diogenes in the School of Athens, 1774

John Downman

A work made of charcoal with stumping and touches of black crayon on ivory laid paper.

Study after the Statue of Crouching Venus, 1774

John Downman

A work made of black crayon on ivory laid paper.

Study after the Discobolus (Wounded Warrior), 1774

John Downman

A work made of charcoal with stumping, heightened with touches of white chalk, on cream laid paper prepared with a tan ground.

Study of Legs of an Antique Statue of Standing Figure, 1775

John Downman

A work made of pen and black ink with traces of graphite on ivory laid paper.

Study after Antique Statue of Standing Draped Woman, 1774

John Downman

<<<504505506507 >>>