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A work made of 30 squares and 26 triangles of linen, plain weavw; pieced; embroidered with linen in overcast stitches and laid work and couching; cut and drawn work with inserts of needle lace; and 42 squares of linen, needle lace; pieced; edged with linen, bobbin lace.

Cover, Late 16th/early 17th century

A work made of linen, plain weave; embroidered with silk floss in tent, cross, long, stem, whip, and couching stitches.

Mourning Sampler, About 1815

Smith Family

A work made of cotton, plain weave; block-printed mordant and resist-dyed; painted.

Heirloom Textile (sarasa), 18th century

A work made of wool, linen, and cotton, plain weave with supplementary brocading wefts.

Mu 1, 1965

Helena Hernmarck

A work made of linen, knotted netting; embroidered with linen in cloth, interlocking lace, and buttonhole stitches and woven wheels (lacis construction); edged on all sides with attached bobbin lace.

Panel, 17th century

A work made of silk, satin weave with two-color supplementary pile warps forming cut velvet.

Panel (Hanging), 2007

Rahul Jain

A work made of black chalk wash over watercolor with scraping on machine-made, off-white wove paper.

Mu 2 (Study), 1965

Helena Hernmarck

A work made of two panels joined: silk, warp and weft resist-dyed (double ikat) and painted (tsumgi), plain weave.

Raven's Ridge, 2008

Polly Barton

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Hip Wrapper (Kain Panjang), Mid–20th century

A work made of wool, cotton, cotton (mercerized), nylon, and acrylic, twill weave with supplementary brocading wefts.

Grey Stones, 1999

Laura Foster Nicholson

A work made of cotton, plain weave; screen printed.

Ananas (Pineapple) (Furnishing Fabric), 1963

Maija Isola

A work made of two loom widths joined: cotton, warp resist-dyed (warp ikat) plain weave with discontinuous supplementary and discontinuous complementary patterning wefts.

Woman's Tunic, c. 1900

A work made of hemp, plain weave with areas of displaced wefts.

Mizugoromo, 18th century, Edo period (1615–1868)

A work made of cotton, plain weave; roller printed; glazed and calenderized.

"The Bombardment of Algiers" (Furnishing Fabric), After 1816

A work made of pen and black ink on off-white wove paper.

Untitled ("Child's Play!": Study for 7-Part Progression), 1966

Mel Bochner

A work made of cotton, plain weave; screenprinted.

Piano (Furnishing Fabric), 1972

Katsuji Wakisaka

A work made of silk, satin weave; embroidered with silk floss and metal-alloy-strip-wrapped silk in chain stitches; applied paillettes; loop and ball fastenings; edged with applied braid; embroidered areas lined with cotton, plain weave.

Aba (Dress for Child or Young Woman), 19th or early 20th century

A work made of cotton, plain weave; screen printed.

Horses (Furnishing Fabric), c. 1949/52

Saul Steinberg

A work made of silk and cotton, satin weave; cut; appliquéd with silk, cut solid velvet; embroidered with looped and outlining gilt-metal strip wrapped silk.

Panel, Late 19th/early 20th century

A work made of 26 scarves: silk, plain weave with supplementary patterning wefts.

Autumn Leaves (Impromptu of Scarves), Heisei period (1989–present), 1988

Keiko Kobayashi

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