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A work made of manuscript cutting with round gothic inscriptions in black, red and blue inks, and decorations in red and blue inks, on vellum.

Illuminated Manuscript Leaf, c. 1450

A work made of manuscript cutting with round gothic inscriptions in black, red and blue inks, and decorations in red and blue inks, on vellum.

Illuminated Manuscript Leaf, c. 1450

A work made of manuscript cutting with round gothic inscriptions in black, red and blue inks, and decorations in red and blue inks, on vellum.

Illuminated Manuscript Leaf, c. 1450

A work made of manuscript cutting with round gothic inscriptions in black, red and blue inks, and decorations in red and blue inks, on vellum.

Illuminated Manuscript Leaf, c. 1450

A work made of manuscript cutting with roman small letter inscriptions in black and dark brown inks, tempera and gold leaf illuminated letters, and decorations in red and lavender inks, on vellum.

Illuminated Manuscript Leaf, c. 1450

A work made of manuscript cutting with roman small letter inscriptions in black and dark brown inks, tempera and gold leaf illuminated letters, and decorations in red and lavender inks, on vellum.

Illuminated Manuscript Leaf, c. 1450

A work made of manuscript cutting with roman small letter inscriptions in black and dark brown inks, tempera and gold leaf illuminated letters, and decorations in red and lavender inks, on vellum.

Illuminated Manuscript Leaf, c. 1450

A work made of manuscript cutting with roman small letter inscriptions in black and dark brown inks, tempera and gold leaf illuminated letters, and decorations in red and lavender inks, on vellum.

Illuminated Manuscript Leaf, c. 1450

A work made of manuscript cutting in tempera and gold leaf, with latin inscriptions in gothic in red ink, on vellum.

Illuminated Border with Snail, Insect, Bird, Grotesques and Flowers from a Manuscript, 15th or early 16th century

A work made of manuscript cutting in tempera and gold leaf, with latin inscription in gothic in red ink, on vellum.

Illuminated Border with Grotesques, Grapes and Berries from a Manuscript, 15th or early 16th century

A work made of manuscript cutting in tempera and gold leaf on vellum.

Illuminated Border with Grapes, Birds and Grotesques from a Manuscript, 15th or early 16th century

A work made of manuscript cutting in tempera and gold leaf, with latin inscription in humanistic script in black ink, on vellum.

Illuminated Border with Flora and Grotesques from a Manuscript, 15th or early 16th century

A work made of manuscript cutting in tempera and gold leaf on vellum.

Decorated Initial "I" with Leaves from a Choir Book, 14th century or modern, c. 1920

A work made of manuscript cutting in tempera and gold leaf on vellum.

Illuminated Border with Grotesques and Flora from a Manuscript, 15th or early 16th century

A work made of manuscript cutting in tempera and gold leaf on vellum.

Illuminated Border with Grotesques and Flora from a Manuscript, 15th or early 16th century

A work made of manuscript cutting with inscriptions in black ink, ruled in red, and tempera and gold leaf illuminated letters and decorations, on vellum.

Illuminated Manuscript Leaf from a Book of Hours, n.d.

A work made of oil on canvas.

Young Woman in Black, 1902

Robert Henri

A work made of silk and gold-leaf-over-lacquered-paper strips, complex gauze weave with supplementary brocading wefts; with silk, twill oblique interlaced sleeve cards.

Ôsodemono-Style Garment, Meiji period (1868–1912), 1875/1900

A work made of silk and gold-leaf-over-lacquered-paper strips, complex gauze weave with supplementary brocading wefts.

Chôken (Noh Costume), 1901/25, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of silk, warp-float faced 7:1 satin weave; patterned with impressed gold leaf; lined with silk, plain weave; dyed with beni, safflower.

Surihaku (Noh Costume), Edo period (1615–1868), 1775/1825

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