Results for artworks - Page 501 from chicago

A work made of silk, satin weave; screen printed.

Les Altheas, 1914/20

Raoul Dufy

A work made of linen, warp and weft painted (chiné), plain weave.

Points & Lines Four, 1999

Virginia Davis

A work made of pattern side: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, slit tapestry weave (tsuzure); corners: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, tubular 1:1 oblique interlacing over cotton core, knotted; silk-wrapped cotton ball and re-plied silk, gold-leaf-over-lacquered-paper-strip-wrapped cotton fringe tassels.

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of pattern side: silk and gold-leaf-over-lacquered-paper-strip wrapped cotton, slit and single dovetailed tapestry weaves (tsuzure); lining: silk, plain weave; sewn with front and lining matched to size (tachikiri awase); corners: gold-leaf-over-lacquered-paper-strip wrapped cotton, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, chevron twill weave with supplementary patterning wefts and supplementary pile warps forming cut and uncut voided velvet; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in laidwork and couching.

Fragment (Dressing Fabric), Ming dynasty (1368–1644), 16th century

A work made of linen, plain weave; embroidered with wool and silk in satin padded satin, split and stem stitches; french knots, laidwork and couching; beaded with linen threads and glass beads; painted details.

Table Frontal, 17th century

A work made of mon side: silk, warp-faced, weft ribbed plain weave (shioze); dye extracted through stenciled chemical dye stripper (bassen); patterned side: cotton, silk and gold-leaf-over-lacquered-paper strip wrapped silk, slit tapestry weave with wrapped outlining wefts (tsuzure); paper interlining; sewn with front and lining matched in size (tachikiri awase); corners: silk, gold-leaf-over-lacquered-paper strip wrapped silk, tubular 1:1 oblique interlacing over cotton core, knotted; silk-wrapped cotton ball and re-plied silk, gold-leaf-over-lacquered-paper strip wrapped silk fringe tassels.

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Hanging entitled “Points & Lines Four”, 1999

Virginia Davis

Hanging entitled “Points & Lines Four”, 1999

Virginia Davis

A work made of silk, plain weave with creped weft (chirimen); resist dyed (yuzen-zome); stamped gold and silver leaf over adhesive (inkin); embroidered with silk, rayon and gold-leaf-over-adhesive-on-paper-strip-wrapped rayon, rayon padded satin stitches;
lined with silk, plain weave.

Furisode, Taisho period (1912–26), c. 1920

A work made of cotton, plain weave; copperplate printed.

Handkerchief, 1794

William Hanson

Hanging entitled “Points & Lines Four”, 1999

Virginia Davis

Hanging entitled “Points & Lines Four”, 1999

Virginia Davis

A work made of cotton, plain weave; stamp-applied wax resist dyed (batik cap).

Tubular Kirt (Sarong), c. 1930

A work made of silk, twill weave with supplementary patterning wefts bound in twill interlacings; attached side borders; applied knotted fringe; woven on a loom with a jacquard attachment.

Shawl, 1860s

Clabburn, Sons and Crisp

A work made of silk, bands of satin weave and bands of satin weave with supplementary patterning wefts bound in satin interlacings; fringe.

Ceremonial Shawl (Kata), Ming dynasty (1368–1644), 15th/16th century

Robe with vertical bands of yellow, blue, and red abstract designs.

Woman's Robe, 1840/60

A work made of silk, warp-faced plain weave; warp-dyed (ikat).

Wall Hanging Composed of Five Panels, 1850/75

A work made of silk, weft resist-dyed (kasuri) and stencil-printed warps (hogushi-kasuri) plain weave; partially lined with cotton, plain weave.

Kimono, 1920s, Taishô period (1912–1926)

A work made of silk and rayon, stencill-printed warps (hogushi kasuri) plain weave; partially lined with cotton, plain weave.

Les Altheas, 1914/20

Points & Lines Four, 1999

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Fragment (Dressing Fabric), Ming dynasty (1368–1644), 16th century

Table Frontal, 17th century

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Hanging entitled “Points & Lines Four”, 1999

Hanging entitled “Points & Lines Four”, 1999

Furisode, Taisho period (1912–26), c. 1920

Handkerchief, 1794

Hanging entitled “Points & Lines Four”, 1999

Hanging entitled “Points & Lines Four”, 1999

Tubular Kirt (Sarong), c. 1930

Shawl, 1860s

Ceremonial Shawl (Kata), Ming dynasty (1368–1644), 15th/16th century

Woman's Robe, 1840/60

Wall Hanging Composed of Five Panels, 1850/75

Kimono, 1920s, Taishô period (1912–1926)

Kimono, 1920s/30s, Taishô period (1912–1926)/ Shôwa period (1926–1989)

Les Altheas, 1914/20

Points & Lines Four, 1999

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Fragment (Dressing Fabric), Ming dynasty (1368–1644), 16th century

Table Frontal, 17th century

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Hanging entitled “Points & Lines Four”, 1999

Hanging entitled “Points & Lines Four”, 1999

Furisode, Taisho period (1912–26), c. 1920

Handkerchief, 1794

Hanging entitled “Points & Lines Four”, 1999

Hanging entitled “Points & Lines Four”, 1999

Tubular Kirt (Sarong), c. 1930

Shawl, 1860s

Ceremonial Shawl (Kata), Ming dynasty (1368–1644), 15th/16th century

Woman's Robe, 1840/60

Wall Hanging Composed of Five Panels, 1850/75

Kimono, 1920s, Taishô period (1912–1926)

Kimono, 1920s/30s, Taishô period (1912–1926)/ Shôwa period (1926–1989)