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  • Art Institute Chicago
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A work made of pen and brown ink and brush and gray wash, over graphite, on white wove paper.

Ponte alla Carraia, Florence, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and gray wash, over graphite, on white wove paper.

Canal, Venice, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and gray wash, with graphite, on cream wove paper.

Venice, n.d.

Herman Armour Webster

A work made of watercolor and charcoal on cream wove paper.

In as Much as Ye Have Done It, n.d.

Louis Raemaekers

A work made of charcoal, with stumping, scraping and erasing, on ivory wove paper.

First Aid Post, Ruins of the Chateau d'Esnes, Meuse, c. 1916

Herman Armour Webster

A work made of charcoal, with touches of stumping (recto), and charcoal (verso), on cream wove paper.

Canal at Quimper (recto); Boats at Entrance to Canal (verso), n.d.

Herman Armour Webster

A work made of pen and brown ink, with brush and brown and gray wash, over graphite, on white wove paper.

The Valentre Bridge, Cahors, n.d.

Herman Armour Webster

A work made of charcoal, with orange, gray and blue pastel, on ivory wove paper.

Aubreville Mews, c. 1916

Herman Armour Webster

A work made of brush and brown ink, over traces of graphite on cream wove paper, discolored to tan.

Horse, n.d.

Jane Poupelet

A work made of red and black chalk, heightened with white chalk, on gray laid paper.

Three Nudes, 1917

Charles Haslewood Shannon

A work made of brush and brown ink, over traces of graphite on cream wove paper, discolored to tan.

Seated Female Nude, Seen from Behind, n.d.

Jane Poupelet

A work made of charcoal, with touches of brush and black wash on cream wove paper, discolored to tan.

Sleeping Cat, n.d.

Jane Poupelet

A work made of charcoal, with stumping and erasing, on cream wove paper.

The Parting, n.d.

Frank Walter Taylor

A work made of charcoal, with stumping and erasing, on grayish-cream wove paper.

Two Women Seated, n.d.

Frank Walter Taylor

A work made of charcoal, with stumping and erasing (recto and verso), on grayish-cream wove paper.

On the Terrace (recto); Man and Woman at a Doorway (verso), 1894/1921

Frank Walter Taylor

A work made of pen and purple ink on cream wove paper, prepared with a pale greenish-brown wash.

Women Dancing, 1910/25

Maurice Sterne

A work made of watercolor with red crayon, over graphite, on ivory wove paper, laid down on tan wood-pulp board.

A Mountain Farm, n.d.

Caleb Winholtz

A work made of red chalk on tan wove paper.

Rodin, c. 1906

William Rothenstein

A work made of pastel and pen and black ink on cream laid paper.

Three Women, Enghien, 1926

Pedro Pruna

A work made of black crayon on greenish-gray wove paper.

Two Lamaists, One with Prayer Wheel and Rosary, One Reading Texts, c. 1911

William Rothenstein

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