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A work made of linen, plain weave; rayon embroidery threads.

Boxstep (Furnishing Fabric), 1997

Judy Ross

A work made of raffia, plain weave; embroidered with raffia in looped edging, pearl, roman, stem, trammed overcast and a variation on twisted chain or lateral looping stitches.

Fragment from a Royal Overskirt (ncaka kot), Probably early 19th century and possibly as early as the 18th century

Bushongo

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Tubular Skirt (Sarong), 1900/25

A work made of cotton and wool (camelid), slit tapestry weave.

Panel, 1000-1476

Lambayeque

A work made of cotton and wool (camelid), slit tapestry weave.

Panel, 1000-1476

Lambayeque

A work made of cotton and wool (camelid), slit tapestry weave.

Panel, 1000-1476

Lambayeque

A work made of wool, stripes of weft-faced plain weave and stripes of slit and double interlocking tapestry weave, main warp fringe.

Tent Hanging or Coverlet (Djerbi), Mid–/late 19th century

A work made of polyester, plain weave; printed; pleated.

Origami Pleat, Heisei period (1989–present), 1997

Reiko Sudo

A work made of 20 strips of cotton, warp-stripe plain weave with supplementary brocading wefts and bands of weft-faced weave on warp groupings of four warps; pieced.

Kente Wrapper, Mid–20th century

Ewe

A work made of cotton, plain weave; screen printed.

Panel Entitled "Femme à marguerite" (Woman with Daisy), c. 1898/1900

Alphonse Marie Mucha

A work made of linen and wool; weft resist dyed (ikat), plain weave with complementary wefts and supplementary brocading wefts.

Winter/Lake Biwa, 2001

Michael Rohde

A work made of linen and metal rods, plain weave self-patterned by main warp floats, discontinuous ground wefts and open warps; knotted warp cut fringe.

Macrogauze 36 - Red 3D, 1962/2000

Peter Collingwood

A work made of black fiber-tipped pen and graphite on blue-lined graph paper.

Study for Double Solid Based on Cantor's Paradox, 1966

Mel Bochner

A work made of black fiber-tipped pen and graphite on blue-lined graph paper.

Untitled (Study for 3 x 3), 1966

Mel Bochner

A work made of silk, satin weave with brocading wefts and self-patterning complementary ground wefts bound in twill interlacings and self-patterned by areas of plain weave.

Panel (Dress Fabric), Qing dynasty (1644–1911), Mid–18th century

A work made of black fiber-tipped pen on blue-lined graph paper.

Study for Sculpture (5-Part Progression), 1966

Mel Bochner

A work made of black fiber-tipped pen and graphite on blue-lined graph paper.

Study for Sculpture (5-Part Progression), 1966

Mel Bochner

A work made of silk and gilt-metal-strip-wrapped cotton, warp and weft resist-dyed (warp and weft ikat) warp-float faced 4:1 satin weave with supplementary patterning wefts; woven on a loom with a jacquard attachment.

Panel, 1920s

Coudurier-Fructus-Descher

A work made of pen and black ink on blue-lined graph paper.

Untitled (Study for 3-Way Fibonacci Progression), 1966

Mel Bochner

A work made of silk; plain weave, embroidered with silk and gilt-paper-strip-wrapped silk.

Kesa, Second half of the 18th century, Late Edo period (1789–1868)

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