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A work made of brush and black ink, over brush and brown ink (originally purple), with watercolor and gouache on parchment, laid down on brown wove paper.

Tahitians Fishing, 1891/93

Paul Gauguin

A work made of watercolor, with touches of gouache, over graphite, on tan wove paper.

Tahitian Hut, 1891/93

Paul Gauguin

A work made of watercolor, with traces of black crayon and graphite, on tapa, partially laid down on cream wove paper.

Chez les Maories: Sauvageries (At Home with the Maori: Savage Things), 1893

Paul Gauguin

A work made of pen and brownish-black ink (originally dark purple), over pen and brown ink (originally purple) (recto) and graphite (verso) on cream wove paper (discolored to tan) (removed from a sketchbook).

Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso), 1891/93

Paul Gauguin

A work made of black fabricated chalk and pen and brown ink (originally purple), with traces of graphite on cream wove paper (removed from a sketchbook).

Seated Tahitian Women (related to the painting Nafea faa ipoipo [When Will You Marry?]) and Other Sketches, 1891/93

Paul Gauguin

A work made of graphite (recto); graphite, with pen and pale-yellow ink (originally purple) (verso); on cream wove paper, discolored to tan (removed from a sketchbook).

Sketches of Various Animals and Head (recto), Sketches of a Head, Figure in Profile, Anatomical Details, and Animals (verso), 1891/93

Paul Gauguin

A work made of graphite and blue gouache, with pen and pale yellow ink (originally purple) and watercolor (recto); graphite, over pen and pale yellow ink (originally purple) and watercolor (verso); on cream wove paper, discolored to tan (removed from a sketchbook).

Sketches of Children, a Woman, and Profiles (recto), Sketches of Horses and Child (verso), 1891/93

Paul Gauguin

A work made of pen and brown ink (originally purple) (recto); graphite (verso); on cream wove paper, discolored to tan (removed from a sketchbook).

Head of a Tahitian Woman (recto), Sketches of Anatomical Details (verso), 1891/93

Paul Gauguin

A work made of black fabricated chalk and watercolor on cream wove paper (removed from a sketchbook).

Sketches of Figures, Pandanus Leaf, and Vanilla Plant, 1891/93

Paul Gauguin

A work made of black fabricated chalk, selectively blended, with touches of brush and gray gouache, over traces of black fabricated chalk offset (recto); graphite (verso); on ivory wove paper (removed from a sketchbook).

Seated Tahitian Woman (recto), Sketches of Roosters and Chickens (verso), 1891/93

Paul Gauguin

A work made of graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook).

Sketches of Crouching and Standing Figures, a Pig, and a Hut at Water’s Edge, 1891

Paul Gauguin

A work made of graphite (recto); graphite with traces of green watercolor offset (verso); on cream wove paper (removed from a sketchbook).

Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook), 1891/93

Paul Gauguin

A work made of oil on jute canvas.

Te raau rahi (The Big Tree), 1891

Paul Gauguin

A work made of oil on canvas.

Te burao (The Hibiscus Tree), 1892

Paul Gauguin

A work made of etching, drypoint and engraving in brown-black on cream japanese laid paper.

Portrait of Stéphane Mallarmé, 1891, printed 1919

Paul Gauguin

A work made of photogravure.

The Steerage, 1907, printed in or before 1913

Alfred Stieglitz

A work made of gelatin silver print.

Equivalent, from Set A (Third Set, Print 7), 1929

Alfred Stieglitz

A work made of carbon print.

A Wet Day on the Boulevard, Paris, 1894

Alfred Stieglitz

A work made of autochrome.

Kitty Stieglitz, c. 1907

Alfred Stieglitz

A work made of gelatin silver print.

Poplars - Lake George, 1935

Alfred Stieglitz

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