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A work made of pen and black ink over graphite (recto), and brush and black ink over graphite (verso), on cream wove card.

Butterfly (recto); Fragment of Butterfly (verso), 1898/99

James McNeill Whistler

A work made of pastel (recto), and black chalk with touches of pink and white pastel (verso), on brown wove paper.

Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso), c. 1872

James McNeill Whistler

A work made of graphite on cream wove card.

Three Butterflies, c. 1890

James McNeill Whistler

A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.

Study for "The Blue Girl: Portrait of Miss Elinor Leyland", c. 1879

James McNeill Whistler

A work made of charcoal with white and orange chalks on brown wove paper.

A Nude Figure, c. 1878

James McNeill Whistler

A work made of pen and brown ink with traces of graphite on pink wove paper.

Girl Reading in Bed, c. 1882

James McNeill Whistler

A work made of pen and brown ink with scraping on cream laid paper laid down on ivory board.

Head of a Girl, c. 1882

James McNeill Whistler

A work made of pen and brown ink on cream wove paper laid down on ivory board.

Sketch after "Arrangement in Black: Lady Meux", c. 1881

James McNeill Whistler

A work made of brush and brown wash, with pen and brown ink, on off-white laid paper.

Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder", c. 1879

James McNeill Whistler

A work made of graphite on cream board.

Butterfly, c. 1890

James McNeill Whistler

A pencil drawing of a butterfly on the lower left of a sheet of paper. The artist’s insignia stamp is in the lower right in blue ink.

Butterfly, c. 1890

James McNeill Whistler

A work made of acrylic on fiberglass and plywood.

Black Panel, 1989/99

Ellsworth Kelly

A work made of oil on glass bottle.

Untitled (Woman-Bottle), c. 1943

René Magritte

A work made of pen and black ink, and graphite with smudging, with colored pencils and colored crayons on tan wove paper.

Exquisite Corpse, 1928

Man Ray (Emmanuel Radnitzky)

Pale watercolor drawing of young dancer in long sheer dress.

Green and Blue: The Dancer, c. 1893

James McNeill Whistler

Wooden sculpture of seated king surrounded by family.

Veranda Post (Òpó Ògògá), 1910-14

Olowe of Ise

A work made of ceramic and pigment.

Carved Vessel Depicting a Lord Wearing a Water-Lily Headdress, 600–800

Maya

A work made of ceramic and pigment.

Water-Lily Vessel, 750–800 CE

Ah Maxam

A work made of ceramic and pigment.

Vessel Depicting a Sacrificial Ceremony for a Royal Accession, 750–800, probably 753

Maya

A work made of resin and copper plate.

Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?), 2017

Ana De Orbegoso

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