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A work made of oil on panel.

Coast Scene, Bathers, 1884–85

James McNeill Whistler

A work made of graphite on ivory wove paper.

Study for Portrait of Thomas Way, 1896

James McNeill Whistler

A work made of graphite (recto) on cream wove paper with printed text in black ink (verso).

Sketch of the Peacock Room, 1898

James McNeill Whistler

A work made of lithographic crayon on thin, transparent transfer paper, tipped onto card (modern mount).

H.C. Pollitt, 1896

James McNeill Whistler

A work made of pen and black ink on cream wove card.

Butterfly with Checkered Wings, 1898/99

James McNeill Whistler

A work made of pen and black ink over graphite, with corrections by the artist in white opaque paint, on cream wove card.

A Club on a Cushion, 1898/99

James McNeill Whistler

A work made of oil on panel.

Study of a Girl's Head and Shoulders, 1896–97

James McNeill Whistler

A work made of watercolor with touches of opaque watercolor on cream wove paper.

Chelsea Shop, 1897/1900

James McNeill Whistler

A work made of pen and black ink over graphite (recto), and pen and black ink, with corrections by the artist in white opaque paint (verso), on cream wove card.

Butterfly (recto); Study of Butterfly (verso), 1898/99

James McNeill Whistler

A work made of pen and black ink over graphite (recto), and graphite (verso), on cream wove card.

Butterfly "Encountered" (recto); Sketch for Tailpiece (verso), 1898/99

James McNeill Whistler

A work made of pen and black ink on cream wove card.

Butterfly, 1898/99

James McNeill Whistler

A work made of pen and black ink over graphite (recto), and brush and black ink over graphite (verso), on cream wove card.

Butterfly (recto); Fragment of Butterfly (verso), 1898/99

James McNeill Whistler

A work made of pen and black ink over graphite (recto), and pen and black ink over graphite, with corrections by the artist in white opaque paint (verso), on cream wove card.

Butterfly (recto); Fragment of Butterfly (verso), 1898/99

James McNeill Whistler

A work made of pastel (recto), and black chalk with touches of pink and white pastel (verso), on brown wove paper.

Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso), c. 1872

James McNeill Whistler

A work made of charcoal with white and orange chalks on brown wove paper.

A Nude Figure, c. 1878

James McNeill Whistler

A work made of pen and black ink on cream wove card.

Butterfly, 1898/99

James McNeill Whistler

A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.

Study for "The Blue Girl: Portrait of Miss Elinor Leyland", c. 1879

James McNeill Whistler

A work made of pen and brown ink with traces of graphite on pink wove paper.

Girl Reading in Bed, c. 1882

James McNeill Whistler

A work made of pen and brown ink with scraping on cream laid paper laid down on ivory board.

Head of a Girl, c. 1882

James McNeill Whistler

A work made of pen and brown ink on cream wove paper laid down on ivory board.

Sketch after "Arrangement in Black: Lady Meux", c. 1881

James McNeill Whistler

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