Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of pen and brown ink (originally purple, est.), with graphite, on cream wove paper (recto); pen and brown ink (originally purple, est.), with traces of graphite, on cream wove paper; removed from a sketchbook and trimmed.

Seated Tahitian Woman (recto); Standing Tahitian Woman (verso), 1891/93

Paul Gauguin

A work made of wood-block print, printed twice in orange and brown inks, over residual black ink, with wiping and touches of hand-applied black ink, on thin, pale-pink wove paper (faded to tan).

Te atua (The God), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of pen and brown ink and graphite on parchment.

Two Tahitian Women and a Marquesan Earplug, 1891/93

Paul Gauguin

A work made of wood-block print, printed twice in yellow ocher and black inks, over yellow ink tone block, and transferred golden-yellow, green, red-orange, and red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream japanese paper.

Te atua (The God) from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print in black ink, over a stenciled orange-ink tone block, on cream wove paper (an imitation japanese vellum).

Te atua (The God), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation japanese vellum).

Te atua (The God), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of wood-block print, printed twice in black and brown inks, with selective wiping, and hand-applied orange, yellow, red, two tones of green, two tones of blue, silver-gray and black watercolor, on cream wove japanese paper laid down on cream laid japanese paper (a laminate made by the artist).

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan).

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893–94

Paul Gauguin

A work made of wood-block print, printed twice in brown and black inks, with selective wiping of the brown, and hand-applied green, blue, two yellows, and pink watercolor on ivory wove japanese paper laid down on cream laid japanese paper (a laminate made by the artist).

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of end-grain boxwood block, with a commercially prepared gray ground, selectively inked in black printing ink.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/1894

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of wood-block print, printed twice in yellow ocher and black inks, with selective wiping of the black ink, over a yellow ink tone block, transferred golden-yellow, green, and red-orange, and stenciled red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream wove paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of zincograph in black on chrome yellow wove paper.

Old Women of Arles, from the Volpini Suite, 1889

Paul Gauguin

A work made of wood-block print, printed in black ink on cream wove paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94, printed 1941/42

Paul Gauguin

A work made of wood-block print in residual brown and black inks on ivory wove paper.

Te atua (The God), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893–94, printed and published 1921

Paul Gauguin

A work made of etching, with drypoint and engraving, in black, with pen and black and brown ink, and brush and black and gray wash, on cream wove paper.

Portrait of Stéphane Mallarmé, 1891

Paul Gauguin

A work made of pen and brown ink (originally purple), with touches of graphite on cream wove irregularly shaped paper, discolored to tan (removed from a sketchbook).

Sketch of Maori Woman and Child, 1891/93

Paul Gauguin

A work made of thinned gouache, with pen and black ink, over pen and brown ink, on cream wove paper (discolored to tan), laid down on cream japanese paper.

Man with an Ax, 1891/93

Paul Gauguin

A work made of brush and brown inks (originally purple), with watercolor, on parchment.

Ten Studies of Tahitian Figures, 1891/93

Paul Gauguin

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