Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of watercolor monotype from a paper matrix on cream laid paper.

Tahitian Girl in a Pink Pareu, 1894

Paul Gauguin

A work made of watercolor monotype from a glass matrix, with brush and white gouache, reddish-brown and black water color, on cream wove paper (an imitation japanese vellum).

Aha oe feii? (What! Are You Jealous?), 1894

Paul Gauguin

A work made of watercolor monotype from a paper matrix on cream laid paper.

Tahitian Girl in Pink Pareu, 1894

Paul Gauguin

A work made of end-grain boxwood block, with a commercially prepared gray ground, sealed with an opaque pink oil medium, and inked in black ink.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of pen and black ink, and brush and black wash, with pen and brown ink (originally purple) and touches of graphite, on heavily textured ivory wove paper.

Man with an Ax, 1893/94

Paul Gauguin

A work made of lithograph in black ink on ivory wove paper, discolored to light brown.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale, 1894

Paul Gauguin

A work made of watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper.

Pape moe, 1893/94

Paul Gauguin

A work made of wood-block print, printed three times in reddish-brown, black, and light black ink, with touches of brush and black gouache and silver-gray watercolor (altered from black), on ivory laid japanese paper, laid down on ivory wove japanese paper (a laminate made by the artist).

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, on pale-pink wove paper (faded to tan).

Manau tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of lithograph in black on ivory wove paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L'estampe originale, 1893–94

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink, over stenciled red ink and a yellow ink tone block, on cream wove paper (an imitation japanese vellum).

Auti te pape (Women at the River), from the Noa Noa Suite, spring/summer 1894

Paul Gauguin

A work made of wood-block print, printed in reddish-brown and black ink on ivory wove paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount]).

Auti te pape (Women at the River), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed twice in golden-brown and black inks, with selective wiping of the black ink, over a selectively inked yellow tone block, and transferred deep-yellow, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with hand-applied dark yellow and brown gouache, on cream japanese paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount]).

Te faruru (Here We Make Love), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed twice in pale orange and black ink, over transferred yellow, pink, orange, blue and green oil-based media, with traces of conifer resin (probably pine resin), on cream wove japanese paper, laid down on cream wove japanese paper.

Auti te pape (Women at the River), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print in black ink, over stenciled dark-red ink and a yellow-ink tone block, on cream wove paper (an imitation japanese vellum).

Auti te pape (Women at the River), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of wood-block print in black ink on grayish-ivory china paper.

Auti te pape (Women at the River) from the Noa Noa Suite, 1893/94, printed and published 1921

Paul Gauguin

A work made of wood-block print in black ink, with brush and pale orange wash, over stenciled yellow ink and a red ink tone block, on cream wove paper (an imitation japanese vellum).

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of wood-block print, printed twice in brown and black inks, over a yellow, silver-gray and brownish-orange ink tone block, and transferred yellow, green, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), on ivory japanese paper, laid down on cream wove card.

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, touches of brush and red and green watercolors, and traces of brush and black ink, on pale-pink wove paper (faded to tan).

Te faruru (Here We Make Love), from the Noa Noa Suite, 1893/94

Paul Gauguin

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