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A work made of raffia, plain weave; with drawnwork embroidered in overcast stitches; pulled thread work embroidered in buttonhole stitches; and embroidered in stem stitches; three panels pieced.

Panel, Possibly mid–20th century

Kuba

A work made of silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist.

Panel, 1982

Ethel Stein

A work made of silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist.

Panel, 1982

Ethel Stein

A work made of silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist.

Panel, 1982

Ethel Stein

A work made of silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist.

Panel, 1982

Ethel Stein

A work made of silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist.

Panel, 1982

Ethel Stein

A work made of linen, plain weave; block printed.

Bavaria, 1910/11

Carl Otto Czeschka

A work made of silk, plain weave with supplementary pile warps forming cut, solid velvet; screen printed.

Panel from a Lady's Evening Tunic, c. 1920

Maria Monaci Gallenga

A work made of cotton and linen, plain weave; screenprinted.

Rhythm (Furnishing Fabric), 1972

Eleanor Kluck

A work made of four panels: linen, rayon and saran, stripes of plain weave and bands of plain weave with supplementary brocading wefts and supplementary discontinuous pile wefts forming cut and uncut pile.

Incline, 1979

Anne Wilson

A work made of silk; damask weave.

Oak, Designed 1881

William Morris

A work made of silk, warp-float faced 4:1 satin weave with gilt-metal-strip-wrapped silk, discontinuous supplementary facing wefts and supplementary pile warps forming cut voided velvet.

Fragment, 1475-1525

A work made of cotton, plain weave with supplementary pile warps forming cut, solid velvet; screen printed.

Caravan (Furnishing Fabric), 1962

Anita Askild

A work made of silk, plain weave with supplementary pile warps forming cut, solid velvet; printed.

Panel, 1906/49 (based on 15th–century Venetian design)

Mariano Fortuny y Madrazo

A work made of silk, satin weave with supplementary pile warps forming cut, voided velvet.

Panel (from a Dress), 1875/1925

Charles Frederick Worth

A work made of linen, warp ikat dyed; plain weave.

Black & White I, 1980

Han-Lien Wu

A work made of linen and wool plain weave with supplementary brocading wefts.

Fragment (From a Curtain), 1951/52

Marianne Richter

A work made of wool, plain weave; embroidered with silk floss and silk yarns in back, chain, cretan, individual back, individual running, roman, satin, stem, and surface satin stitches; laid work, couching, and roumanian couching.

Sampler, 1791

Polly Bedford

A work made of raffia, plain weaves; pieced; appliquéd with plain weaves in pearl stitches; embroidered in pearl stitches; edged with bands of cotton, warp-stripe warp-float faced twill weave; cotton, plain weave; pieced and hemmed in slip and pearl stitches; and cotton, warp-float faced alternating float weave; joined with raffia in pearl and twisted insertion stitches.

Ceremonial Skirt, Late 19th century

Kuba

A work made of drypoint in black with plate tone on ivory laid paper.

Woman Emptying a Wheelbarrow, 1880

Camille Pissarro

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