Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on panel.

Abstraction: Background with Blue Cloudy Sky, January 4, 1930

Pablo Picasso

A work made of ink, powdered pigment and fixative on brown wove paper mounted to board.

American Costume, 1970

David Hammons

A work made of gouache, with touches of graphite, on illustration board.

Study for Aspects of Negro Life: The Negro in an African Setting, 1934

Aaron Douglas

A work made of wood, cloth, mud, and sacrificial material.

Zoomorphic Figure (Boli), Mid-early 20th century

Bamana

A work made of wood, glass beads, and thread.

Twin Figures (Ere Ibeji), Early/mid–20th century

Yoruba

A work made of super 8 film, silent, transferred to digital video (monitor); 1:05 min. loop.

Exodus, 1992/97

Steve McQueen

Goldweight Depicting a Fan

Goldweight Depicting a Fan, 19th/mid–20th century

Asante

A work made of wood and pigment.

Snake Headdress (a-Mantsho-ña-Tshol or Inap), Late 19th/early 20th century

Baga

A work made of copper alloy.

Goldweight Depicting a Double Crocodile, 19th/mid–20th century

Asante

A work made of copper alloy.

Goldweight with a Geometric Pattern, 18th/19th century

Asante

A work made of painted leather and fabric.

Eshu (The Trickster), 1971

Betye Saar

A work made of wood.

Sculpture, 1951

Ernest Mancoba

A work made of wood.

Pilgrim's Staff (Oulle Sheikh Hussein), 20th century

Oromo

A work made of polished bronze and silk.

Zanzibar / Gold #2, 1977

Barbara Chase-Riboud

A work made of polychromed wood with reliefs, crystal and iron.

Oxalá, 2007

Emanoel Araujo

A work made of wood.

Pilgrim's Staff (Oulle Sheikh Hussein), 20th century

Oromo

A work made of wood.

Pilgrim's Staff (Oulle Sheikh Hussein), 20th century

Oromo

Cottonwood Hybrid

Cottonwood Hybrid, 1956

Richard Hunt

A work made of patterned side: silk, plain weave; stenciled and resist dyed; lined with silk, plain weave; interlined with cotton, plain weave; silk, running "controlling" stitches along all edges; silk-wrapped cotton, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), 1912/26, Taishô period (1912–1926)

A work made of silk and gold-leaf-over-lacquered-paper strip, slit tapestery weave (kossu); backed with silk, plain weave, creped wefts; tassels: painted and plied.

Uchishiki (Altar Cloth), late Edo period (1789–1868), 1801/25

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