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A work made of ink on tracing paper.

Dymaxion Car, Plan, 1933

Richard Buckminster Fuller

A work made of gelatin silver print.

Untitled, from the series "Sur la Route: Huit Photographies Prises Entre Paris et Marseille ou Entre Paris et Biarritz", 1930

Germaine Krull

Colorful bars and other shapes form a dense and chaotic network. At left of center is a black rectangle bordered in purple and yellow with a red arrow inside it. At far left is a partially visible yellow bullseye with white, blue, and red bands.

The Railway Crossing (Sketch), 1919

Fernand Léger

A work made of woodcut on cream japanese paper.

Mez (Mittel-Europaische-Zeit: Weimar), 1919–20

Robert Michel

A work made of color lithograph on cream wove paper.

Save Time: Be on Your Way with a Season, 1928

Clive Gardiner

A work made of synthetic polymer on vacuum-formed acrylic plastic.

Untitled, 1968

Craig Kauffman

A work made of gelatin silver print, no. 8 from "a portfolio of photographs by jacques henri lartigue" (1972).

Grand Prix of the Automobile Club of France, 1912, printed 1972

Jacques-Henri Lartigue

A work made of color lithograph on cream wove paper, laid down on linen.

Time Cooperative, 1899

Adolf Hohenstein

A work made of color lithograph on cream wove paper.

Arrest the Flying Moment, 1925

Frederic Charles Herrick

A work made of gelatin silver print.

Dancer Willem Van Loon, Paris, 1932

Ilse Bing

A work made of gelatin silver print.

Bullet Through Plexiglas, 1962

Harold Eugene Edgerton

A work made of color linocut on cream japanese paper.

Racing, 1934

Sybil Andrews

A work made of tempera and graphite on fiber board.

Waiting (Ventilators), 1930

Charles Demuth

A work made of color lithograph on cream wove paper.

Progress; Another New Task Completed, 1924

Charles W. Baker

A work made of gelatin silver print.

Detroit, 1943

Harry Callahan

A work made of drypoint in black on pale blue laid paper.

Portrait of James McNeill Whistler, 1897

Paul-César Helleu

A work made of transfer lithograph in black on ivory plate paper.

Portrait Study: Mrs. Philip, No. 3, 1897

James McNeill Whistler

A work made of transfer lithograph in black on ivory plate paper.

Portrait Study: Mrs. Philip, No. 2, 1897

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on ivory laid paper.

Sketch of William E. Henley, 1896

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

St. Anne's, Soho, 1896

James McNeill Whistler

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