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A work made of pen and iron gall ink with brush and brown wash, heightened with white gouache, on tan laid paper, pieced together and laid down on gray laid paper.

The Assumption of the Virgin, n.d.

Tintoretto

A work made of pen and brown ink over red and black chalk on tan laid paper, laid down on ivory wove paper.

Study for Commerce or the Triumph of the Thames, 1767/80

James Barry

A work made of pen and brown ink over graphite, on buff wove paper.

Bacchanale, n.d.

Joshua Cristall

A work made of pen and black ink with brush and gray wash, over graphite, on ivory wove paper, partially laid down on ivory laid paper.

Religious Festival in Northern France, possibly Normandy, c. 1820

John Coney

A work made of pen and brown ink over graphite, on ivory laid paper, partially laid down on ivory wove paper.

Dutch Market or Fair, c. 1820

John Coney

A work made of pen and brown ink and graphite on ivory wove paper, laid down on board.

Dunfermline, March 2, 1847

William Leighton Leitch

A work made of pen and brown ink on ivory wove paper, laid down on board.

On the Thames, n.d.

William Leighton Leitch

A work made of black and red chalk on cream laid paper, laid down on board.

Shepherd Boy with Lambs in Woods, n.d.

George Morland

A work made of pen and brown ink on ivory wove paper, laid down on board.

On the Thames, n.d.

William Leighton Leitch

A work made of charcoal with stumping and traces of brush and black wash on cream laid paper.

Fright, n.d.

John Downman

A work made of black and red chalk on buff laid paper.

Portrait Bust of Young Woman in Turban, n.d.

David Allan

A work made of black chalk, and brush and gray wash (recto), and black chalk, and brush and brown wash (verso), on ivory laid paper.

Polyphemus Throwing Boulder at Acis, with Galatea (recto), and Pholyphemus Lifting Boulder (verso), n.d.

John William Taverner

A work made of charcoal with stumping on cream laid paper.

Attention, n.d.

John Downman

A work made of graphite on ivory wove paper.

Bampton Grange, n.d.

Lady Amelia Farnborough

A work made of pen and brown ink with brush and brown wash, over traces of graphite, on gray laid paper.

Landscape with Figure Crossing Bridge over Stream, n.d.

Thomas Sandby

A work made of graphite heightened with white gouache and brown wash on tan wove paper.

Square in Aix-en-Provence, n.d.

Samuel Prout

A work made of graphite on cream wove paper laid down on board.

White Friars, Chester, 1831

George Sidney Shepherd

A work made of charcoal on cream wove paper.

Flying Figure, 1837/75

Alfred George Stevens

A work made of black chalk (recto and verso) on gray laid paper.

View of Wilson House and Gardens (recto); View of Wilson House and Gardens (verso), 1760/69 (recto); n.d. (verso)

Richard Wilson

A work made of pen and brown ink, with brush and brown wash, over traces of graphite, on cream laid paper.

Design for an Unexecuted Funerary Monument for the First Duke of Marlborough, n.d.

John Michael Rysbrack

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