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A work made of horn grip and silver nails.

Dirk, 17th century (?)

A work made of iron, brass, ebony, and leather (sheath).

Dagger with Sheath, dated 1624

A work made of ivy root, iron, and copper.

Ballock Dagger, early 17th century

A work made of strips of linen and cotton, plain weave with exposed warps; applied gesso; painted with gold leaf and pigment; joined by knotted extended ground weft fringe.

Alquimia III (Alchemy III), 1983

Olga de Amaral

A work made of steel, wood, and iron.

Landsknecht Dagger with Scabbard, Scabbard: c. 1550/60; dagger: 19th century in 16th century style

A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; embroidered with silk in satin and stem stitches; painted details; sleeves: bands of silk, plain weave and of silk and gilt-metal-strip-wrapped silk, plain weave; edging and closures: silk, cotton, and gold-leaf-over-lacquered-paper-strip-wrapped cotton, satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, satin damask weave; sleeves lined with cotton, plain weave; metal buttons.

Emperor's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1790-1820

Manchu

A work made of steel.

Rondel Dagger, 19th century in early 15th century style

A work made of steel, bone, and bronze.

Cinquedea, About 1500

A work made of black crayon or charcoal heightened with white, on a fragment of tan laid paper, laid down on white japanese tissue.

Studies of Nudes, n.d.

Henry Fuseli

A work made of black crayon or charcoal, touched with white, on a fragment of tan laid paper.

Studies of Nudes, n.d.

Henry Fuseli

A work made of black crayon or charcoal heightened with white, on a fragment of tan laid paper, laid down on white japanese tissue.

Studies of Nudes, n.d.

Henry Fuseli

A work made of black crayon or charcoal on a fragment of tan laid paper (recto), fragment of graphite sketch (verso).

Studies of Nudes, n.d.

Henry Fuseli

A work made of pen and gray and brown ink, over graphite, on tan wove paper, laid down on buff wove paper.

Minerva and Achilles, n.d.

John Flaxman

A work made of graphite on cream wove paper.

Study, 1845

Charles Meryon

A work made of pen and black ink, over graphite, on tan wove paper, laid down on cream wove paper.

The Hours Taking the Horses from Juno's Car, n.d.

John Flaxman

A work made of pen and gray ink, over graphite, on cream wove paper, laid down on ivory wove paper.

The Council of the Gods, n.d.

John Flaxman

A work made of pen and black ink, over traces of graphite, on cream wove paper, laid down on cream wove paper.

Achilles and Patroclus, n.d.

John Flaxman

A work made of pen and black ink, over graphite, on tan wove paper, laid down on cream wove paper.

Ulysses Killing the Suitors, n.d.

John Flaxman

A work made of graphite with brush and watercolor (recto) and graphite (verso) on ivory wove paper.

Fashions and Frights of 1829 (recto); Angels Ever Bright and Fair (verso), 1829

George Cruikshank

A work made of pen and gray ink, over graphite, on gray laid paper.

Seven Chiefs Against Thebes, n.d.

John Flaxman

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