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A work made of color woodblock print; oban, benizuri-e.

The Actors Nakamura Kiyosaburo I as Matsuyama and Ichimura Kamezo I as Wanya Kyubei in the play "Yoritomo Gunbai Kagami," performed at the Ichimura Theater in the eleventh month, 1749, 1749

Ishikawa Toyonobu

A work made of hand-colored woodblock print; hosoban, beni-e.

The Actors Sanjo Kantaro II as Osome and Ichikawa Monnosuke I as Hisamatsu, 1720

Okumura Toshinobu

A work made of hand-colored woodblock print; o-oban, beni-e.

Original Perspective Picture of the Fashionable Seven Gods of Good Fortune (Furyu shichi fukujin uki-e kongen), 1740s

Okumura Masanobu

A work made of color woodblock print; chuban.

A Folding Fan-A Clear Day (Ogi no seiran), from the series Eight Parlor Views (Zashiki hakkei), 1765

Suzuki Harunobu

A work made of color woodblock print; chuban, surimono.

Passing the Bamboo Grove, 1766

Suzuki Harunobu

A work made of hand-colored woodblock print; tan-e, o-oban.

The Actor Uemura Kichisaburo as the Third Princess in the play "Wakoku Gosuiden," performed at the Morita Theater in the third month, 1700

Torii Kiyonobu II

A work made of woodcut in black (recto) and red oil paint (verso) on semi-transparent ivory wove paper.

Untitled (#25), 1961–78

Donald Judd

A work made of earthenware and slip.

Double-Chambered Whistle, 200 BCE–500 CE

Nasca

A work made of gelatin silver print.

Miscegenation, 1985-1991

Christian Walker

A work made of silk and gilt-metal-strip-wrapped silk; warp-float faced satin weave with weft-float faced twill interlacings of secondary binding warp and supplementary patterning wefts.

Fragment of a Vestment, 16th century

A work made of silk and gilt-animal-substrate-wrapped silk; weft-faced four-color complementary weft plain weave with inner warps and areas of detached plain interlacing of inner warps with complementary ground wefts.

Fragment from the Dalmatic of San Valero, 13th century

Islamic

A work made of silk and silver-strip-wrapped silk; double cloth.

Fragment of a Dress Fabric, Probably Safavid dynasty (1501–1722), 1601–25

A work made of silk and gilt animal substrate wrapped silk, weft-faced three- and four- color complementary weft plain weave with inner warps and areas of detached plain weave of inner warps and complementary ground wefts (red).

Fragment with Roundel Pattern, 13th-14th century

Islamic

A work made of silk, bobbin part lace; embroidered with single satin stitches.

Lace Border Fragment, Late 19th century

M. Jesurum & Cie.

A work made of over-twist cotton, gauze weave; embroidered with cotton in simple looping stitch.

Headcloth Fragment, 11th-15th century

Chancay

A work made of linen, plain weave; painted.

Fragment of a Funerary Shroud, Roman Period (30 BCE–395 CE), 2nd–3rd century

A work made of silk and horsehair; needle lace.

Lace Edging (Oya) Fragment, 1875/1900

A work made of silk, twill damask weave; embroidered with silk and gilded-lacquered-paper-strip-wrapped cotton in satin stitches and laid work and couching; stenciled; mounted on paper, inscribed in ink.

Fragment of a Kimono, Edo period (1615–1868), 1675-1725

A work made of etching on paper.

Constellations, Hot Planet, n.d.

Robert Broner

A work made of linen and silk; plain weave, bands of weft-faced plain weave with paired warps, bands of twill weave; stripes of warp-faced plain weave and supplementary warp and weft float weaves.

Fragment of Striped Silk, 13th-15th century

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