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A work made of black litho crayon with scraping, heightened with traces of white pencil, on textured cream wove paper.

The First Rays, n.d.

Joseph Pennell

A work made of black litho crayon with scraping, heightened with traces of white pencil, on textured cream wove paper.

The Lifting Bridge, c. 1908

Joseph Pennell

A work made of black litho crayon with scraping on textured cream wove paper.

The Jaws, Chicago, c. 1908

Joseph Pennell

A work made of black litho crayon with scraping, heightened with traces of white pencil, on textured cream wove paper.

Water Works Philadelphia, 1912

Joseph Pennell

A work made of black litho crayon with scraping on cream wove paper.

Cincinnati, c. 1908

Joseph Pennell

A work made of black litho crayon with scraping on cream wove paper.

Schuylkill Works Philadelphia, c. 1908

Joseph Pennell

A work made of black litho crayon with scraping on cream wove paper.

Mills No. 1 Minneapolis, c. 1908

Joseph Pennell

A work made of ceramic and pigment.

Covered Vessel with the Principal Bird and Peccary Heads, 200–300 CE

Maya

A work made of red obsidian.

Ceremonial Blades, c. 100 CE

Colima

A work made of gold.

Gold Pectoral with Zoomorphic Face, c. 500 BCE

Chavín

A work made of watercolor and opaque watercolor on cream wove paper.

Southampton Water, 1887

James McNeill Whistler

A work made of graphite, pastel, and black ink, on cream wove paper, laid down on tan wove card.

Composition with Black and Green, 1947

Hans Hartung

A work made of lithograph in black on pinkish-cream china paper laid down on ivory wove paper.

Et que des yeux sans tete flottaient comme des mollusques, plate XIII of Tentation de St. Antoine, 1896

Odilon Redon

A work made of lithograph in black on ivory china paper, laid down on white wove paper.

The Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe, 1882

Odilon Redon

A work made of etching and engraving on paper.

Squid Under Pier, 1948

Minna Citron

A work made of opaque watercolor, over traces of graphite, with blind incising, on tan paperboard.

Metasquema, No. 244, 1957

Hélio Oiticica

A work made of lithograph on chine laid down on cream wove paper.

Des Esseintes, 1888

Odilon Redon

A work made of soft varnish ("vernis mou") etching, drypoint and roulette in brownish-red on cream wove paper.

Frontispiece to Les baisers morts, 1893

Félicien Rops

A work made of terracotta.

Jar (Wékéru), Early/mid–20th century

Bargu

A work made of terracotta.

Container for Ritual Healing (Ngwarkandangra), Mid–20th century

Bëna

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