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A work made of color offset lithograph on cream wove paper.

Foot and Hand, 1964

Roy Lichtenstein

A work made of screenprint in red and black on white wove paper.

Finger Pointing, from The New York Collection for Stockholm portfolio, 1973

Roy Lichtenstein

A work made of color offset lithograph on cream wove paper.

Crying Girl, 1963

Roy Lichtenstein

A work made of color offset lithograph on cream wove paper.

Crak!, 1964

Roy Lichtenstein

A work made of color screenprint on white wove paper.

Composition IV, 1995

Roy Lichtenstein

A work made of color screenprint on ivory wove paper.

Brushstrokes, 1967

Roy Lichtenstein

A work made of color screenprint on cream wove paper.

Brushstroke, 1965

Roy Lichtenstein

Study for "Wall Explosion I"

Study for "Wall Explosion I", 1965

Roy Lichtenstein

A work made of oil and magna on canvas.

Woman III, 1982

Roy Lichtenstein

A work made of color lithograph on ivory wove paper.

Mirror #6, 1972

Roy Lichtenstein

A work made of oil and magna on canvas.

Entablature #8, 1972

Roy Lichtenstein

Still Life

Still Life, 1973-1974

Roy Lichtenstein

A work made of graphite on cream wove paper.

Drawing for Haystacks, 1969

Roy Lichtenstein

A work made of graphite on cream wove paper.

Drawings for Haystack & Haystacks, 1969

Roy Lichtenstein

A work made of graphite and colored pencil on off-white wove paper.

Haystack and Haystacks (Studies), c. 1968

Roy Lichtenstein

A work made of colored pencil and graphite on white wove paper.

Mirror with Six Panels (Study for Painting), 1971

Roy Lichtenstein

A work made of colored pencil and graphite on cream wove paper.

Mirror #3 (Six Panels) (Study), 1970

Roy Lichtenstein

A work made of graphite with erasing on cream wove paper.

Mirrors (Studies), 1970

Roy Lichtenstein

A work made of color silkscreen on white wove paper.

Finger Pointing, from The New York Collection for Stockholm, 1973

Roy Lichtenstein

A work made of screenprint in yellow and blue on white wove paper.

Title Page and colophon, from Ten Landscapes, 1967

Roy Lichtenstein

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